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The Nineteenth-century Visual Culture Reader
The nineteenth century is central to contemporary discussions of visual culture. This reader brings together key writings on the period, exploring such topics as photographs, exhibitions and advertising.
Another World
The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the internation...
A Circle of Friends
Angela Jianu explores the lives and activities of a group of Romanian revolutionaries exiled in Paris, London and the Middle East in the aftermath of the insurrections of 1848. Drawing largely on diaries, memoirs and private correspondence, A Circle of Friends is a social history of political exile, presenting the personal life dramas of the protagonists within the wider context of the European post-revolutionary turmoil of the 1850s. Exile and political repression allied this group not only to their Hungarian and Polish peers, but also to French republicans, English radicals and Italian freedom-fighters. Their story reveals the existence of transnational networks of left-wing, radical and republican movements in mid-nineteenth-century Europe against the background of nation-building projects in East-Central Europe.
Adolphe Adam, Master of the Opéra-Comique, 1824-1856
The composer Adolphe-Charles Adam (1803-1856) is known all over the world for the famous Christmas anthem ‘Minuit chrétiens’ (‘O Holy Night’). However, he wrote much more than just this. His ballet Giselle (1841) is the quintessence of mystical Romanticism and one of the most enduring works of the dance repertoire. Adam composed a series of ballets, principally for the Paris Opéra, establishing this genre as a serious and integral musical form. His last work was Le Corsaire (1856) which reaches sublime heights. However, Adam was just as famous as a composer for the lyric stage. With Boieldieu, Hérold and Auber, he forms one of the quartet of masters that represent the second school of that profoundly French genre of the opera-comique. The charming and elegant Le Chalet (1834) received over 1500 performances in Paris, and the exuberant and adorable Le Postillon de Lonjumeau (1836) is still played on stages throughout the world. This study considers this gentle, unassuming composer’s life and work, examining his 42 operas and 14 ballets in the context of the vibrant musical scene in Paris during the decades 1820-1860.
The Academy
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The Nation
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Saturday Review
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