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Songs of Wisdom and Circles of Dance
Coursing though cultures and time, tuneful verse has given moving expression to the human longing for the divine. As poetry strung on sweet melodies, hymns bear testimony to the religious life of the devout, and to the inspiring teachings of minstrels and saints. Such is the ginan tradition of the Satpanth Isma'ilis, Indian successors of the Fatand Nizari Isma'ili sect of the Shi'ah Muslims. Traditionally recited during daily ritual prayers, ginans have been revered for generations among the Satpanth Isma'ilis as sacred compositions. This work offers for the first time an extensive translation of hymns attributed to the Isma'ili saint-composer, Pir Shams (ca. 13th century), who is at once one of the most pivotal and yet most enigmatic figures of this literary tradition. It also presents a cogent historical reconstruction of the beginnings of Satpanth Isma'ilism--a phase of Isma'ili history that has spanned over eight centuries.
Gināns
Composed in Indian languages and idioms, the Ginans have been sung for many centuries in the daily rituals of the Shia community, specifically the Satpanth Ismaili Muslims of South Asia. This volume on the Ginans illustrates how Muslims were influenced by the surrounding cultures and philosophies, and evolved/created new ways of expressing their beliefs and values.
Lines in Water
When asked to distinguish between different faiths, Mughal prince Dara Shikoh is said to have replied, “How do you draw a line in water?” Inspired by this question, the essays in this volume illustrate how ordinary people in South Asia and the diaspora negotiate their religious identities and encounters in creative, complex, and diverse ways. Taking the approach that narratives “from below” provide the richest insight into the dynamics of religious pluralism, the authors examine life histories, oral traditions, cartographic practices, pilgrimage rites, and devotional music and songs. Drawing on both ethnographic and historical data, they illuminate how, like lines in water, religious...
Who Owns Religion?
Who Owns Religion? focuses on a period—the late 1980s through the 1990s—when scholars of religion were accused of scandalizing or denigrating the very communities they had imagined themselves honoring through their work. While controversies involving scholarly claims about religion are nothing new, this period saw an increase in vitriol that remains with us today. Authors of seemingly arcane studies on subjects like the origins of the idea of Mother Earth or the sexual dynamics of mysticism have been targets of hate mail and book-banning campaigns. As a result, scholars of religion have struggled to describe their own work to their various publics, and even to themselves. Taking the read...
Nepali Migrant Women
In this pathbreaking and timely work, Hamal Gurung gives voice to the growing number of Nepali women who migrate to the United States to work in the informal economy. Highlighting the experiences of thirty-five women, mostly college educated and middle class, who take on domestic service and unskilled labor jobs, Hamal Gurung challenges conventional portraits of Third World women as victims forced into low-wage employment. Instead, she sheds light on Nepali women’s strategic decisions to accept downwardly mobile positions in order to earn more income, thereby achieving greater agency in their home countries as well as in their diasporic communities in the United States. These women are not only investing in themselves and their families—they are building transnational communities through formal participation in NGOs and informal networks of migrant workers. In great detail, Hamal Gurung documents Nepali migrant women’s lives, making visible the profound and far-reaching effects of their civic, economic, and political engagement.
Identity and the Politics of Scholarship in the Study of Religion
The relationship of a scholar's identity to the scholarship he or she produces is a central concern in the academy and this volume is the first attempt to approach the special problems it presents for religious studies.
Guest is God
Guest is God is an ethnography of the Indian pilgrimage site of Pushkar, which welcomes two million visitors each year. To locals, Pushkar is more than just a gathering place for pilgrims, tourists, and hippies--it is where Brahma, the creator god, made his home. It is paradise. The book looks into the local effort to create a brand of Hindu religion that is tailored to its local surrounding but engages global ideas.
Theorizing Scriptures
Historically, religious scriptures are defined as holy texts that are considered to be beyond the abilities of the layperson to interpret. This volume takes a look at the social, cultural and racial meanings invested in these texts.
Sacred Sound
"This innovative book explores religion through music - the source of spiritual elation, social cohesion, and empowerment in cultures around the world."--BOOK JACKET.
Place/No-Place in Urban Asian Religiosity
This book discusses Asia’s rapid pace of urbanization, with a particular focus on new spaces created by and for everyday religiosity. The essays in this volume – covering topics from the global metropolises of Singapore, Bangalore, Seoul, Beijing, and Hong Kong to the regional centers of Gwalior, Pune, Jahazpur, and sites like Wudang Mountain – examine in detail the spaces created by new or changing religious organizations that range in scope from neighborhood-based to consciously global. The definition of “spatial aspects” includes direct place-making projects such as the construction of new religious buildings – temples, halls and other meeting sites, as well as less tangible r...
