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Coursing though cultures and time, tuneful verse has given moving expression to the human longing for the divine. As poetry strung on sweet melodies, hymns bear testimony to the religious life of the devout, and to the inspiring teachings of minstrels and saints. Such is the ginan tradition of the Satpanth Isma'ilis, Indian successors of the Fatand Nizari Isma'ili sect of the Shi'ah Muslims. Traditionally recited during daily ritual prayers, ginans have been revered for generations among the Satpanth Isma'ilis as sacred compositions. This work offers for the first time an extensive translation of hymns attributed to the Isma'ili saint-composer, Pir Shams (ca. 13th century), who is at once one of the most pivotal and yet most enigmatic figures of this literary tradition. It also presents a cogent historical reconstruction of the beginnings of Satpanth Isma'ilism--a phase of Isma'ili history that has spanned over eight centuries.
This is a survey of the Ismaili Muslim traditions and a translation of many Santpanth Ismaili Ginans (hymns.)
When asked to distinguish between different faiths, Mughal prince Dara Shikoh is said to have replied, “How do you draw a line in water?” Inspired by this question, the essays in this volume illustrate how ordinary people in South Asia and the diaspora negotiate their religious identities and encounters in creative, complex, and diverse ways. Taking the approach that narratives “from below” provide the richest insight into the dynamics of religious pluralism, the authors examine life histories, oral traditions, cartographic practices, pilgrimage rites, and devotional music and songs. Drawing on both ethnographic and historical data, they illuminate how, like lines in water, religious...
Composed in Indian languages and idioms, the Ginans have been sung for many centuries in the daily rituals of the Shia community, specifically the Satpanth Ismaili Muslims of South Asia. This volume on the Ginans illustrates how Muslims were influenced by the surrounding cultures and philosophies, and evolved/created new ways of expressing their beliefs and values.
Who Owns Religion? focuses on a period—the late 1980s through the 1990s—when scholars of religion were accused of scandalizing or denigrating the very communities they had imagined themselves honoring through their work. While controversies involving scholarly claims about religion are nothing new, this period saw an increase in vitriol that remains with us today. Authors of seemingly arcane studies on subjects like the origins of the idea of Mother Earth or the sexual dynamics of mysticism have been targets of hate mail and book-banning campaigns. As a result, scholars of religion have struggled to describe their own work to their various publics, and even to themselves. Taking the read...
"This innovative book explores religion through music - the source of spiritual elation, social cohesion, and empowerment in cultures around the world."--BOOK JACKET.
Ansha and the Spirits -- Rural and Urban -- Health and Healing -- Wives and Husband -- Demons and Spirits -- Insiders and Outsiders -- Mountains -- Coast -- Rivers and Bridges -- Outside the mosque -- Makhuwa and Maka -- Books and Roots -- Muslims of the Spirits, Muslims of the Mosque -- Healers and the Governo -- Nurses and Healers -- Knowing and Not-Knowing -- Patients -- Good and Evil -- Close and Open -- The Dead and the Living -- Juniors and Seniors -- Tradition and Modernity -- Spirits and Women -- Returns -- Life and Death -- Epilogue.
The relationship of a scholar's identity to the scholarship he or she produces is a central concern in the academy and this volume is the first attempt to approach the special problems it presents for religious studies.
Guest is God is an ethnography of the Indian pilgrimage site of Pushkar, which welcomes two million visitors each year. To locals, Pushkar is more than just a gathering place for pilgrims, tourists, and hippies--it is where Brahma, the creator god, made his home. It is paradise. The book looks into the local effort to create a brand of Hindu religion that is tailored to its local surrounding but engages global ideas.
Historically, religious scriptures are defined as holy texts that are considered to be beyond the abilities of the layperson to interpret. This volume takes a look at the social, cultural and racial meanings invested in these texts.