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The Druids
First published in 2005. This study of Celtic Prehistory explores all facets of Druidic life and religious practice: their beginnings in the first centuries B.C. in Gaul and Britain, their priests and religious rites, their temples and probable origins. Drawing on numerous classical and modern sources, the author creates a fascinating picture of Druidic society. Useful illustrations and an appendix of original Greek and Latin texts relating to the Druids are included
A History of the Vikings
This is a new release of the original 1930 edition.
Druids and Druidism
Well-documented summary of Druidic culture offers a detailed account of the racial history, prehistory, and social atmosphere of this early Gallic and British civilization. The amply illustrated text considers many theories of the origin of Druidism, its temples and religious practices, and its early mention by Greek and Roman writers.
A History of the Vikings
First published in 1968. The barbarians of the distant and little-known north, of Scandinavia, that is, and of Denmark, became notorious in the ninth and tenth centuries as pests who plagued the outer fringes of the civilized This volume is an English narrative of the Vikings and their activities in the west, far north as well as east and south-east also.
Late Saxon and Viking Art
Late Saxon and Viking Art (1949) is a lavishly-illustrated examination of the art of the Saxon era – the carvings, sculpture, illustrations, drawings and paintings that emerged from the Anglo-Saxon and Viking cultures.
Anglo-Saxon Art to A.D. 900
Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.
Anglo-Saxon Styles
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
