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Teducation
Black Dues! Black Blues! Black News! , Ted Joans trumpets in his tribute to Langston Hughes. What Library Journal wrote in 1969 holds true today: "This collection of his work clearly reveals the influence of Langston Hughes, his mentor and friend. Joans, however, has the harsher and more strident tone necessary to accurately reflect today's society. As he says in one poem: 'We must fall in love and glorify our beautiful black nation / We must create black images / give the world / a black education.'" One of the first black poets to become involved in surrealism and a first generation Beat, Joans is an expatriate poet whose work is enjoying renewed interest. This major collection of poems wr...
Our Thang
Our Thang presents the extraordinary jazz-poems of the legendary Ted Joans alongside the surrealist drawings of Laura Corsiglia. The poems are characterized by black consciousness, strong rhythms and a musical sensibility closely linked to blues and avant-garde jazz.
Black Pow-Wow
"Jazz is my religion, and surrealism is my point of view." Ted Joans was one of the first Beat poets in the Greenwich Village arts scene, pioneering a movement that often overlooked his profound contributions. His poetry mixes the rhythms of jazz music with “hand grenades” of truth, and his live reading performance style anticipated the spoken word movement. Black Pow-Wow is a collection of the best of Joans’ early poetry, including such well-known poems as “Jazz Is My Religion,” “Passed On Blues: Homage to a Poet,” and “The Nice Colored Man.” Many of his poems speak to his friends and contemporaries--including Charlie Parker, Jack Kerouac, Allan Ginsberg, Bob Kaufman, Salvador Dali, Andre Breton, and particularly Langston Hughes--as well as his extensive travels across the African continent and around the world. His avante-garde poems also reflect his style as a painter and collage artist, call for social protest, and denounce racism, sexual repression, and injustice. This groundbreaking collection, one of only two mainstream publications Joans produced, perfectly captures the pulse of the Beat Generation and the rhythms of blues.
Double Trouble
None
Sleeping with the Dictionary
Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of...
Remade in America
Re-viewing surrealism in Charles Henri Ford's Poem posters (1964-5) -- Encountering surrealism : Nadja (1928) and autobiographical beat writing -- Blackening surrealism : Ted Joans' ethnographic surrealist historiography -- Turning on surrealism : queer psychedelia -- Hystericising surrealism : the marvelous in popular culture.
Afrodisia
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People Get Ready
Throughout this book, Kevin Meehan offers historical and theoretical readings of Caribbean and African American interaction from the 1700s to the present. By analyzing travel narratives, histories, creative collaborations, and political exchanges, he traces the development of African American/Caribbean dialogue through the lives and works of four key individuals: historian Arthur Schomburg, writer/archivist Zora Neale Hurston, poet Jayne Cortez, and politican Jean-Bertrand Aristide. People Get Ready examines how these influential figures have reevaluated popular culture, revised the relationship between intellectuals and everyday people, and transformed practices ranging from librarianship and anthropology to poetry and broadcast journalism. This discourse, Meehan notes, is not free of contradictions, and misunderstandings arise on both sides. In addition to noting dialogues of unity, People Get Ready focuses on instances of intellectual elitism, sexim, color, prejudice, imperialism, national, chauvinism, and other forms of mutual disdain that continue to limit African American and Caribbean solidarity.
Surrealism Beyond Borders
Surrealism Beyond Borders challenges conventional narratives of a revolutionary artistic, literary, and philosophical movement. Tracing Surrealism's influence and legacy from the 1920s to the late 1970s in places as geographically diverse as Colombia, Czechoslovakia, Egypt, Japan, Korea, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey, this publication includes more than 300 works of art in a variety of media by well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—as well as numerous artists who are less widely known. Contributions from more than forty distinguished international scholars explore the network of Surrealist exchange and collaboration, artists' responses to the challenges of social and political unrest, and the experience of displacement and exile in the twentieth century. The multiple narratives addressed in this expansive book move beyond the borders of history, geography, and nationality to provocatively redraw the map of Surrealism.
Bellocq's Ophelia
A collection of poems offers glimpses into the life and thoughts of an African American prostitute in pre-World War I New Orleans.
