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Includes entries for maps and atlases.
This volume provides researchers and students of religion with an indispensable reference work on the history, cultural impact, and reshaping of Christianity in Japan. Divided into three parts, Part I focuses on Christianity in Japanese history and includes studies of the Roman Catholic mission in pre-modern Japan, the 'hidden Christian' tradition, Protestant missions in the modern period, Bible translations, and theology in Japan. Part II examines the complex relationship between Christianity and various dimensions of Japanese society, such as literature, politics, social welfare, education for women, and interaction with other religious traditions. Part III focuses on resources for the study of Christianity in Japan and provides a guide to archival collections, research institutes, and bibliographies. Based on both Japanese and Western scholarship, readers will find this volume to be a fascinating and important guide.
The period of Japanese history before the advent of industrialisation and modernism is of tremendous interest. The essays in this collection show a fascination with the social context behind the development of aesthetics, drama, language, art and philosophy, whether it be the world of the pleasure quarters or the Shogun's court.
In pre-modern religions in the geographical context of Asia we encounter unique scripts, number systems, calendars, and naming conventions. These can make Western-built technologies – even tools specifically developed for digital humanities – an ill fit to our needs. The present volume explores this struggle and the limitations and potential opportunities of applying a digital humanities approach to pre-modern Asian religions. The authors cover Buddhism, Christianity, Daoism, Islam, Jainism, Judaism and Shintoism with chapters categorized according to their focus on: 1) temples, 2) manuscripts, 3) texts, and 4) social media. Thus, the volume guides readers through specific methodologies and practical examples while also providing a critical reflection on the state of the field, pushing the interface between digital humanities and pre-modern Asian religions into new territory.
The Christian faith has always stood in a place of tension between its transcendent nature and the surrounding culture. On the one hand, Christian faith claims to originate in the revelation of God, which transforms culture itself. On the other hand, all such revelation is inevitably received and interpreted by humans in concrete situations. It is no exaggeration to say that two millennia of church history have continually demonstrated the struggle between Christian faith and culture. In an effort to address this struggle, this book explores relevant issues pertinent to the relationship between faith and culture in the particular context of Japan. In this unique work, the context of Japan, well known as a desolate swamp for Christian missions, provides the setting for a re-exploration of issues pertaining to theology of culture. As such, Japan provides both a concrete and challenging context to work out a theology of culture. This book also helpfully illuminates for Western readers some key problems that may not have appeared fully in their contexts yet but will do so as the post-Christendom era continues.
Wondrous Brutal Fictions presents eight seminal works from the seventeenth-century Japanese sekkyo and ko-joruri puppet theaters, many translated into English for the first time. Both poignant and disturbing, they range from stories of cruelty and brutality to tales of love, charity, and outstanding filial devotion, representing the best of early Edo-period literary and performance traditions and acting as important precursors to the Bunraku and Kabuki styles of theater. As works of Buddhist fiction, these texts relate the histories and miracles of particular buddhas, bodhisattvas, and local deities. Many of their protagonists are cultural icons, recognizable through their representation in ...