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Letters to My Mother
In a series of letters to her dead mother, a young Afro-Cuban girl describes her struggles with racism, living on the goodwill of relatives, and self-acceptance. Reprint.
Old Dog
Winner of the Casa de las Americas Award, one of the most important prizes given in the Spanish-speaking world Perro Viejo (Old Dog) is an old, worn-out black Cuban slave who just wants to die. Taken away from his mother at birth, he has known no other life than that of servitude. The only thing that keeps Perro Viejo alive is the memory of Asuncion, a beautiful black girl he once met while washing his master's horses. Never to see her again, he shuts his heart to all forms of love. In his later years he meets Beira, an old slave who is avoided by the other slaves because they think she is a witch. Together they decide to help Aisa, a ten-year-old runaway slave, escape. They might not reach El Colibri and get their freedom, but for the first time in his life Perro Viejo knows what it is to love -- and to feel free.
House Documents
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Afrocubanas
Originally published in Spanish and edited by Cuban historian Daisy Rubiera Castillo and playwright and theater critic Inés María Martiatu Terry, this ground-breaking edited collection is the first work of its kind. It places the experiences of black and mulata women at the center of Cuban history. Including essays from a mix of well-known and newly published Cuban authors, the volume examines the lives of Afrocubanas from the late nineteenth century to the present. The volume’s contributors collect and interrogate the voices of black Cuban women and the political, cultural, social, and ideological contributions they have made to the history of their nation. One of the unique qualities o...
Oloyou
Oloyou the cat is the first creature that the God-child creates at the beginning of the ages in this Cuban retelling of a Yoruba myth.
Afro-Cuban Identity in Postrevolutionary Novel and Film
Afro-Cuban Identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959. Andrea Easley Morris analyzes the artists' participation in and questioning of the revolutionary government's revision of national identity to include the unique experience and contributions of Cuban men and women of African descent. While the Cuban revolution brought sweeping changes that vastly improved the material condition of many Afro-Cubans, at the time overrepresented among Cuba's poor and marginalized, the government's official position was that racial inequities had been resolved as early as 1962. Although a more open dialogue ...
Bulletin
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Bulletin
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Coming of Age in the Afro-Latin American Novel
Explores the dimensions of the coming-of-age novel in the Spanish-speaking Caribbean and Brazil, focusing on works by eight major Afro-Latin American writers
