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Class in Culture
"A gem of a book. Its topics are timely and provocative for cultural studies, sociology, English, literary theory, and education classes. The authors are brilliant thinkers and clear, penetrating writers." -Peter McLaren, UCLA, author of Capitalists and Conquerors: A Critical Pedagogy Against Empire Class in Culture demonstrates the power of moving beyond cultural politics to a deeper class critique of contemporary life. Making a persuasive case for class as the material logic of culture, the book is written in a double register of short critiques of life practices-from food and education to race, stem-cell research, and abortion-as well as sustained critiques of such theoretical discourses as ideology, consumption, globalization, and 9/11. Surpassing the orthodoxies of cultural studies, Class in Culture makes surprising connections among seemingly unrelated cultural events and practices and offers a groundbreaking and complex understanding of the contemporary world.
The Task of Cultural Critique
A bold and compelling remapping of contemporary cultural critique
Ludic Feminism and After
A provocative and controversial challenge to postmodern academic feminism
Legal Studies as Cultural Studies
Essays by noted theorists such as Drucilla Cornell, Nancy Fraser, Peter Goodrich, and Gayatri Spivak provide a bridge between critical cultural studies in the humanities and the Critical Legal Studies movement demonstrating the transdisciplinary nature of both fields.
Post-ality
"These are not friendly times for starting a new Marxist journal, and yet these are exactly the times in which a new Marxist journal is urgently needed to provide transformative knowledges for social change. Transformation is a response to the crisis of revolutionary theory and praxis. The (post)modern "left" has abandoned the project of revolution in favor or bourgeois democracy, marginalized problems of labor, class and exploitation, and elided the centrality of "need." More to the point, "left" theory has deserted economic and labor issues at a time of increasing class differences between North and South, the poor and the rich the world over, a time when the workers of the world are incre...
Femininity and Domination
Bartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.
I Hated, Hated, Hated This Movie
The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eye...
Feminism As Critique
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Getting Personal
In the era of identity politics, whose is the I of cultural criticism? And what does the invention of an autobiographical persona have to do with contemporary theory? In Getting Personal, Nancy K. Miller reflects upon the ways in which contingencies of identity and location shape the writing of academic argument and the living of an academic life. Getting Personal explores the new territory of feminist cultural studies and its connections to literary interpretation. The book is organized around a number of academic scenes in which Miller analyses the stakes of feminist critical performance. The focus on occasions, from the conference to the seminar to the professional colloquium, produces an...
