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Representing the Passions
Through an interlocking series of texts and images, this work explores how extreme sensations such as wonder, misery, ecstasy and rage have been portrayed at different moments in Western culture. Moving across multiple fields of creative endeavour and intellectual inquiry - from classical artefacts to Chicano art, political protest to operatic performance, Rene Descartes's writings on the soul to the Internet's digitised flesh - it reveals how the passions have elicited, eluded and transformed the act of representation.
Conversations with Contemporary Chicana and Chicano Writers
Interviews with major Chicana/o authors are the basis for this examination of the commonality of issues in the work of each of them.
Nepantla
Mora's insights on bilingualism, education, women, and family are sometimes barbed and always exact.
The Routledge Concise History of Latino/a Literature
The Routledge Concise History of Latino/a Literature traces a historical path through Latino/a literatures, with an enlightening analysis that also focuses on: recent themes such as gender and sexuality, feminist and queer voices, migration and border control different literary trends such as the postmodern, avant-garde, noir, and chica-lit language, code-switching and identity within the literature. With student-friendly features such as a glossary, guide to further reading, explanatory text boxes and chapter summaries, this is the ideal book for anyone approaching this broad and complex subject for the first time.
Inauthentic
Vincent Cheng examines why we still cling to notions of authenticity in an increasingly globalized world that has exploded notions of authentic essences & absolute differences. Just why do we become so exercised over a perceived loss of authentic cultural identity?.
Performance in America
Performance in America demonstrates the vital importance of the performing arts to contemporary U.S. culture. Looking at a series of specific performances mounted between 1994 and 2004, well-known performance studies scholar David Román challenges the belief that theatre, dance, and live music are marginal art forms in the United States. He describes the crucial role that the performing arts play in local, regional, and national communities, emphasizing the power of live performance, particularly its immediacy and capacity to create a dialogue between artists and audiences. Román draws attention to the ways that the performing arts provide unique perspectives on many of the most pressing c...
With Her Machete in Her Hand
With the 1981 publication of the groundbreaking anthology This Bridge Called My Back: Writings by Radical Women of Color, Cherríe Moraga and Gloria Anzaldúa ushered in an era of Chicana lesbian writing. But while these two writers have achieved iconic status, observers of the Chicana/o experience have been slow to perceive the existence of a whole community—lesbian and straight, male as well as female—who write about the Chicana lesbian experience. To create a first full map of that community, this book explores a wide range of plays, novels, and short stories by Chicana/o authors that depict lesbian characters or lesbian desire. Catrióna Rueda Esquibel starts from the premise that Ch...
Feminism on the Border
"Sonia Saldívar-Hull's book proposes two moves that will, no doubt, leave a mark on Chicano/a and Latin American Studies as well as in cultural theory. The first consists in establishing alliances between Chicana and Latin American writers/activists like Gloria Anzaldua and Cherrie Moraga on the one hand and Rigoberta Menchu and Domitilla Barrios de Chungara on her. The second move consists in looking for theories where you can find them, in the non-places of theories such as prefaces, interviews and narratives. By underscoring the non-places of theories, Sonia Saldívar-Hull indirectly shows the geopolitical distribution of knowledge between the place of theory in white feminism and the th...
Movements in Chicano Poetry
Studies the central concerns addressed by recent Chicano poetry.
Border Fictions
Border Fictions offers the first comparative analysis of multiethnic and transnational cultural representations about the United States' borders with Mexico and Canada. Blending textual analysis with theories of globalization and empire, Claudia Sadowski-Smith forges a new model of inter-American studies. Border Fictions places into dialogue a variety of hemispheric perspectives from Chicana/o, Asian American, American Indian, Latin American, and Canadian studies. Each chapter examines fiction that ranges widely, from celebrated authors such as Carlos Fuentes, Leslie Marmon Silko, and Alberto Ríos to writers whose contributions to border literature have not yet been fully appreciated, inclu...
