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This collection of critical essays finds itself at the intersection of cultural, literary and film studies, and explores the various ways in which dysfunction is expressed in Irish studies. Dysfunction can be regarded as part and parcel of a portrayal of a landscape of trauma and crisis that may have been traditionally repressed in Ireland at large. However, dysfunction also envisages mediation, managing, transcending and healing. As such, this volume examines how Ireland tackles dysfunction at large, but more importantly, how mediation, managing, healing and transcending help in the understanding of the ever-changing and on-going process of the construction of an Irish identity today; sometimes looking back at the past, but always creating the need of inventing new ways to understand the future of Ireland. The collection presents essays which tackle dysfunction from different and multifarious perspectives that range from sociological, historical and literary discourses to more contemporary insights into dysfunction in today’s Ireland. It encompasses theory and analysis and includes the works of both senior academics and emerging scholars, as well as those outside academia.
Kate O'Brien's work is now widely considered canonical in the English language, and the author herself an icon for Ireland seeking to reinvent itself. O'Brien's novel Mary Lavelle, banned upon publication in 1936, is a key work of the twentieth century that has suffered from critical neglect despite its wider popularity with readers. This book reexamines Mary Lavelle, exploring its role in the modernist canon and its importance to political and queer activism. The novel's biographical and autobiographical experimentation is of particular note. Through the lens of this crucial novel, the oeuvre of Kate O'Brien is recontextualized and reassessed.
A wise and resourceful fish leaves his pond to experience the larger outside world, and finds upon returning that his pond is just right for him.
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Women, Travel, and Writing in the Interwar Era engages feminist, temporal, and narrative theories to offer fresh examinations of interwar-era accounts by women about travel and movement and considers the use and limitations of time as a subversive force in their texts. This book makes a significant contribution to the under-examined study of women’s travel writing between the wars and synthesises and applies a variety of feminist, narrative, and postcolonial theories to excavate new understandings of the intersection between women, travel, and time in writing. The book studies the emergence of the aviatrix after the Great War and moves through to the representations of war in women’s travel on the brink of World War II. Each chapter offers a unique theoretical framework and examines how experiences of time impact perceptions of women’s bodies and identities, their engagement with history and discourse, and the problematic influence on colonialism. Women, Travel, and Writing in the Interwar Era is essential reading to any student or researcher in the field of women’s travel writing, as well as scholars of gender studies, war and interwar history, and cultural heritage.
Archaeologists and televangelists are about as compatible as oil and water. Virginia Davies, a curator of American History at the Southbrook Museum, attends the American Archaeological Convention in Napa, California. The arrival of The Reverend Hockings is controversial enough, his dropping dead makes it worse. The coroner and police rule the death a stroke. Virginia discovers it's murder. The killers now want Virginia and her friends, dead. Virginia must keep herself alive long enough to follow a trail of blood and corruption from the lush vineyards of Napa to the cool fog-shrouded coast of Northern California to find the killers of a seemingly unsolvable case.
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Don Williamson struggles to deal with the void left by a recent relationship breakup when he discovers that a poem he wrote in 2001 inadvertently encrypted a hidden code that the Vatican is trying to crack. Karen Crawford, a Hollywood celebrity who now lives in London, has known for many years that a unique man will come into her life. Her psychic medium friend, Angie Jakobs, told Karen he would be like no other man she had ever met. Neither lady knew when and where this man would appear, but both knew someday he would. Soon they learn that the poem’s secret code is buried deep within the text, pointing to an astronomical event witnessed on an Idaho ranch. The event sparks a hunt for the threesome, an expedition in which the Pope himself participates. Under the protection of guardian angels, the chosen three must avoid Vatican officials and evil forces at work – fallen angels who have misguided the living for many years.