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The Little Fish in a Big Pond
A wise and resourceful fish leaves his pond to experience the larger outside world, and finds upon returning that his pond is just right for him.
Language and Literacies
The theme chosen for the 31st BAAL Annual Meeting, held in September 1998 at the University of Manchester, was Language and Literacies. This volume contains selected papers from the Meeting.
Ireland and Dysfunction
This collection of critical essays finds itself at the intersection of cultural, literary and film studies, and explores the various ways in which dysfunction is expressed in Irish studies. Dysfunction can be regarded as part and parcel of a portrayal of a landscape of trauma and crisis that may have been traditionally repressed in Ireland at large. However, dysfunction also envisages mediation, managing, transcending and healing. As such, this volume examines how Ireland tackles dysfunction at large, but more importantly, how mediation, managing, healing and transcending help in the understanding of the ever-changing and on-going process of the construction of an Irish identity today; sometimes looking back at the past, but always creating the need of inventing new ways to understand the future of Ireland. The collection presents essays which tackle dysfunction from different and multifarious perspectives that range from sociological, historical and literary discourses to more contemporary insights into dysfunction in today’s Ireland. It encompasses theory and analysis and includes the works of both senior academics and emerging scholars, as well as those outside academia.
Women, Travel, and Writing in the Interwar Era
Women, Travel, and Writing in the Interwar Era engages feminist, temporal, and narrative theories to offer fresh examinations of interwar-era accounts by women about travel and movement and considers the use and limitations of time as a subversive force in their texts. This book makes a significant contribution to the under-examined study of women’s travel writing between the wars and synthesises and applies a variety of feminist, narrative, and postcolonial theories to excavate new understandings of the intersection between women, travel, and time in writing. The book studies the emergence of the aviatrix after the Great War and moves through to the representations of war in women’s travel on the brink of World War II. Each chapter offers a unique theoretical framework and examines how experiences of time impact perceptions of women’s bodies and identities, their engagement with history and discourse, and the problematic influence on colonialism. Women, Travel, and Writing in the Interwar Era is essential reading to any student or researcher in the field of women’s travel writing, as well as scholars of gender studies, war and interwar history, and cultural heritage.
The Tablet
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United States Code
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No Other Man
Don Williamson struggles to deal with the void left by a recent relationship breakup when he discovers that a poem he wrote in 2001 inadvertently encrypted a hidden code that the Vatican is trying to crack. Karen Crawford, a Hollywood celebrity who now lives in London, has known for many years that a unique man will come into her life. Her psychic medium friend, Angie Jakobs, told Karen he would be like no other man she had ever met. Neither lady knew when and where this man would appear, but both knew someday he would. Soon they learn that the poem’s secret code is buried deep within the text, pointing to an astronomical event witnessed on an Idaho ranch. The event sparks a hunt for the threesome, an expedition in which the Pope himself participates. Under the protection of guardian angels, the chosen three must avoid Vatican officials and evil forces at work – fallen angels who have misguided the living for many years.
Kate O'Brien and Spanish Literary Culture
One of the most important Irish novelists of the twentieth century, Kate O’Brien (1897–1974) was also a pioneer of women’s writing. In a career that spanned almost fifty years, nine novels, nine plays, two travelogues, and copious criticism, O’Brien rebelled against the narrow nationalism and restrictive Catholicism prevalent in independent Ireland. In this highly original approach to O’Brien’s work, Davison traces the influence of three leading Spanish writers—Jacinto Benavente, Miguel de Cervantes, and Teresa of Avila. O’Brien’s lifelong fascination with Spanish literature and culture offered an oblique way of resisting the Catholic and conservative imperatives of the Irish Free State. In a series of close comparative readings, Davison identifies the origin of O’Brien’s creative disinhibition and ultimately situates her within a tradition of dissident Irish women writers.
