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The Terrible Wife
The Terrible Wife, in this new collection of poems by Terry Ann Thaxton, has married four times and imagined marriages to a soap opera star, her brother-in-law, and any man who will give her a ride because she “wanted to be / part of a wall of women dancing / water falling from the sky or a fountain.” Taking cues from her own mother — who is, to this troubled soul — “an argument against becoming a wife” — she sets out to find meaning: “We march out into the trees / or fly off our balconies looking for a man, / any man.” But still she judges herself through the lens of the men she clings to for comfort like “a woodpecker … clings to [a] hollow / tree.” Thaxton does not find easy solace for her terrible wife, but instead lets her confusion and weaknesses clink and jangle like wind chimes in an approaching storm. This broken resonance with its disarming images and unpredictable movements is given to us in a voice devoid of self-consciousness and posturing. Thaxton’s poems are as compelling as a lifetime of snapshots spilled on the floor, discovered in a box that, moments ago, one didn’t know existed.
Getaway Girl
Terry Ann Thaxton sifts through the images of a childhood half-buried among the pines and saw palmetto of her native Florida and unearths a child orphaned by abuse. In a home where "Southern Baptists exchange judgments," she hides among a tribe of siblings, roaming the woods and playing games that hold equal degrees of cruelty and love. At the first opportunity she flees - into the arms of more abuse, then, wildly, into years where "suitcases fell from the closet" and "she thinks of marching toward [the pond], / perhaps reaching a gray cloud, pulling the switch." And yet, somehow, "the sky offers its philanthropy all day." The genealogy of despair is also the genealogy of hope. In the search to clarify the past-and thus transform the present - these poems turn over the shards of memory like the colored glass in a kaleidoscope, looking for an angle that will light up the great mystery of how we become and continue becoming who we are.
Creative Writing in the Community
Creative Writing in the Community is the firstbook to focus on the practical side of creative writing. Connecting classroomexperiences to community-based projects, it prepares creative writing studentsfor teaching in schools, homeless centres, youth clubs and care homes. Each chapteris packed with easy-to-use resources including: specific lesson plans; case studies of students working with community groups; lists of suitable writing examples; "how to..." sections; examples and theoretical applications of creative writing pedagogy and techniques; reflection questions; writings by workshop participants. Enhanced by contributions from directors,students and teachers at successful public programs, Creative Writing in the Community is more than an essential guidefor students on creative writing courses and leaders of community-basedlearning programs; it is practical demonstration of the value of art insociety.
Mud Song
A landscape of pine forests, palmettos, gopher tortoises and armadillos contains the clues that guide Terry Ann Thaxton s search for herself. As a fifth-generation Floridian, she knows, however, that the natural world is never more than a stone s throw away from its destruction. The path she follows takes her to the edge of the past s sinkholes and the daily chaos of roads forever under construction. These poems make sharp turns. Trauma is never far from beauty, desire never far from fear, and images are often as surprising as they are stunning: I know the value / of mud on a dog s paw. I want to wake / and disappear into the minutes / where the crows fly. / I want someone / to leave me in the clouds / and carry my gown across the night.
Somewhere, a Woman Lowers the Hem of Her Skirt
Somewhere, a Woman Lowers the Hem of Her Skirt is a collection of poems that takes the reader on a journey through life as a woman breaking free from the constraints of a quiet, midwestern life, to fighting battles for equality, to raising boys in a harsh society, to teaching students and making connections in a unjust world. These poems are about hope and happiness and heartache and finding your way home. Every single poem in this gorgeous collection seems to spring whole from a moment of achingly sharp perception. Uttich writes directly into Adrienne Rich's "dream of a common language" - that place where the impossibility of connection is breached by love, and care, and justice. "I want to...
Grabbed
A gender-inclusive anthology of poetry and prose that addresses the physical and psychological act of being “grabbed,” or in any way assaulted. The #MeToo movement, the infamous Access Hollywood tape, and the depraved and hypocritical actions of celebrities, politicians, CEOs, and other powerful people have caused people all over the nation to speak out in outrage, to express allegiance for the victims of these assaults, and to raise their voices against a culture that has allowed this behavior to continue for too long. The editors asked writers and poets to add to the conversation about what being “grabbed” means to them in their own experience or in whatever way the word “grabbed...
The Penelope Project
The Arts of Penelope: Art-Making and Making Artifacts, by Ellie Rose and Shannon Scrofano -- Who Is a Hero in Your Own Life?, by Jolene Hansen -- Mamie's Story, by Beth Meyer-Arnold -- On Playing the Suitors: In Dialogue, by Daniel Cohen and Rusty Tym -- On Playing Penelope: In Dialogue, by Joyce Heinrich and Nikki Zaleski -- Five Seconds after the Audience Left, by Anne Basting -- The Magic of the Movement, by Anne Basting and Leonard Cruz -- Finding an Ending, by Maureen Towey -- Excerpt from Finding Penelope, Scene 5, by Anne Basting -- Part Five: Evaluation and Evolution -- Beyond Penelope at Luther Manor, by Ellie Rose -- On the Challenges of Continuity in Civic Arts Projects: In Dialog...
Squirrel Seeks Chipmunk
The author presents a collection of animal-themed essays.
The Short Bus
Labeled "dyslexic and profoundly learning disabled with attention and behavior problems," Jonathan Mooney was a short bus rider--a derogatory term used for kids in special education and a distinction that told the world he wasn't "normal." Along with other kids with special challenges, he grew up hearing himself denigrated daily. Ultimately, Mooney surprised skeptics by graduating with honors from Brown University. But he could never escape his past, so he hit the road. To free himself and to learn how others had moved beyond labels, he bought his own short bus and set out cross-country, looking for kids who had dreamed up magical, beautiful ways to overcome the obstacles that separated them from the so-called normal world.--From publisher description.
