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Injuries from an IED explosion pushed Tessa Pines out of the army. Now, haunted by the friend who gave his life for her, Tessa tries to get on with living. But her hopes of a quiet recovery become doubtful when sparks fly again between her and her ex-husband. Cordon Morant never thought he'd see Tessa again. Despite their rediscovered passion, he still wants answers to some old questions, like why she left him. When her roommate finagles them into a paranormal investigation of the old Ashwood Institute, Tessa and Cordon find themselves in a fight for their lives. Are some things best left in the past and the dark?
Those who enter The Herron House were never meant to leave… It’s been three quiet months since paranormal investigator Rand Casey’s last encounter with the demonic, yet evil still lurks around every corner, hiding within every shadow. Rand’s reprieve ends when wealthy businessman Jackson Herron hires Rand to remove a dark spirit from the Herron family’s mansion—an entity who, years ago, drove Jackson’s father to insanity. At first, Rand figures a simple cleansing ceremony should do the trick. But the Herron House is no ordinary mansion. Built by a madman under the influence of demonic oppression, the once-grand home has become a sprawling monstrosity filled with darkness and de...
Gold Medal Winner, Young Adult Fiction — Fantasy/Sci-Fi, Independent Publisher's Moonbeam Children's Book Awards One thousand years after a cataclysmic event leaves humanity on the brink of extinction, the descendants of the chosen survivors take refuge in thirteen contingency shelters buried deep underground, at the bottom of the ocean, and in the far reaches of outer space. In the underwater 13th Continuum, sixteen-year-old Myra Jackson has heard rumors and whisperings all her life of a magical place called "The Surface” where people could breathe fresh air, feel the warmth of something called sunlight on their skin, and see things known as stars and trees and mountains. Myra has never...
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
A unique reflection on dialogues about the foundational years of Welsh devolution and the political legacy of Rhodri Morgan, not available anywhere else. In-depth analysis of policy development, ambition, intention and outcomes in several major fields of public policy in Wales. A collection of essays and analyses on the first 20 years of Welsh devolution, an essential starting point for thinking about Wales in the context of the UK and wider world in the next 20 years.
The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation." Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Blac...
Discusses Hepworth's work and the museum designed to display it.
In August 1947, an émigré Austrian opera impresario launched the Edinburgh International Festival of Music and Drama to heal the scars of the Second World War through a celebration of the arts. At the same time, a socialist theatre group from Glasgow and other amateur companies protested their exclusion from the festival by performing anyway, inventing the concept of 'fringe' theatre. Now the annual celebration known collectively as the Edinburgh Festival is the largest arts festival in the world, incorporating events dedicated to theatre, film, art, literature, comedy, dance, jazz and even military pageantry. It has launched careers – from Peter Cook and Dudley Moore in Beyond the Fringe to Phoebe Waller-Bridge with Fleabag – mirrored the political and social mood of its times, shaped the city of Edinburgh around it and welcomed a huge all-star cast, including Orson Welles, Grace Kelly, Yehudi Menuhin and Mark E Smith's The Fall and many many more. This is its story.
The link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary interactions between living artists and architects, and the artistic practices, such as poetry and abstractions, that architects adopt to develop ideas for their projects. The issue features artists, architects, curators, musicians, poets and designer craftspeople, illustrating the current rich mix of architectonic constru...
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