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Gazetteer
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South Vietnam
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Popular Music of Vietnam
Based on the author’s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.
CRAZY PRINCE CHAPTER 17
Currently, Niem Tieu's mind is just blank. She did not expect that she would be treated as a sacrificial tool. Even though that guy Lam Van is not an ugly person, his eyes are too despicable. Moreover, it seems like a lustful person. I don't know how many girls' lives I've ruined. Most importantly, I don't have any feelings for him, so how can I live with him? It's easy to say I'm a concubine, but to put it bluntly, I'm just his toy.
CRAZY PRINCE CHAPTER 18
This time returning to Dong Vi village, Huu Binh sold his old house and planned not to return again. But he heard that a rich couple had just moved into the village. Anyone who opens their mouth to borrow money can borrow money. So Huu Binh calculated, borrowed money from that house and then broke.
Northern Vietnam
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