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This text investigates why the Left has failed to develop a lasting popular journalism in Britain, when at one point, The Daily Herald - jointly owned by the Labour party and the TUC - was outselling any other newspaper in the world with the exception of Pravda. The Herald is viewed as the leading example of the Left's attempts to redress the imbalance of rightwing political bias in the press in the UK. From its role in 1912 as an independently owned radical paper aimed at political activists, to its transition into commercial publishing and its subsequent demise in 1964, the author examines the paper's content and background using source material in the Labour Party and TUC archives. The story of the paper's rise and fall sheds light on the wider history of the popular press and its often problematic relationship with British society and politics.
Index to the Daily Herald newspaper
"William Woodward was a powerful force in New Orleans and the art world. His legacy endures. This book is a compilation of his work, spanning his career as an artist. The authors of the essays in this book--all well known and respected in their fields--offer their own unique perspectives on Woodward, his life, his influence, and his art" --Dust jacket flap.
“This magnificent book...opens up a novel, arresting position on matters that have been debated for thousands of years.” —Times Literary Supplement How do we judge whether an action is morally right or wrong? If an action is wrong, what reason does that give us not to do it? Why should we give such reasons priority over our other concerns and values? In this book, T. M. Scanlon offers new answers to these questions, as they apply to the central part of morality that concerns what we owe to each other. According to his contractualist view, thinking about right and wrong is thinking about what we do in terms that could be justified to others and that they could not reasonably reject. He ...
In the early twentieth century, new mass media—popular newspapers, radio, film—exploded at the same time that millions of Britons received the vote in the franchise expansions of 1918 and 1928. The growing centrality of the commercial media to democratic life quickly became evident as organizations of all stripes saw its potential to reach new voters. The new media presented both an exciting opportunity and a significant challenge to the new Labour Party. Laura Beers traces Labour’s rise as a movement for working-class men to its transformation into a national party that won a landslide victory in 1945. Key to its success was a skillful media strategy designed to win over a broad, dive...
The sixth edition of this title is a guide for all those involved with the production and consumption of the media. It includes up-to-date analysis of new media and legislation, New Labour conservatism and coverage of Scottish and Welsh devolution.
The author of the “masterfully plotted, compulsive page-turner” (The Guardian) Our House takes you on a haunting and nail-biting journey of tragedy and revenge. The Heights is a tall, slender apartment building among warehouses in London. Its roof terrace is so discreet, you wouldn’t know it existed if you weren’t standing at the window of the flat directly opposite. But you are. And that’s when you see a man up there—a man you’d recognize anywhere. He may be older now, but it’s definitely him. But that can’t be because he’s been dead for over two years. You know this for a fact. Because you’re the one who killed him. With Louise Candlish’s signature dark and twisty prose, The Heights shows “the ferocity of maternal love” (Hannah Beckerman, author of If Only I Could Tell You). It is an unputdownable thriller that will keep you guessing until the final page.
When I was in eighth grade my sister helped kill another girl. For the Oliviera family - mum Carol, daughters Angel and Marie - autumn 2009 in the once-prosperous beach town of Ashaway, Rhode Island is the worst of times. Money is tight, Carol can't stay away from unsuitable men, Angel's world is shattered when she learns her long-time boyfriend Myles has been cheating on her with classmate Birdy, and Marie is left to fend for herself. As Angel and Birdy, both consumed by the intensity of their feelings for Myles, careen towards a collision both tragic and inevitable, the loyalties of Carol and Marie will be tested in ways they could never have foreseen. Stewart O'Nan's expert hand has crafted a crushing and propulsive novel about sisters, mothers and daughters, and the desperate ecstasies of love and the terrible things we do for it. Both swoony and haunting, Ocean State is a masterful work by one of the great storytellers of everyday American life.
A "collection of personal essays exploring the intersection of queerness, relationships, pop culture, the Internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz's life--for better and worse--has always been on a collision course with pop culture, [including] ... the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill's own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture"--