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John Sargent
The career of John Sargent, perhaps the greatest painter of his time, and surely one of the greatest portrayers and interpreters of it in his famous portraits of its most eminent and most representative figures, is here chronicled in successive stages. The figure of the hero stands out in high relief from the narrative which his personality pervades. A wealth of anecdote and of letters enriches the record of work, travel, and triumph, from student days under Carolus-Duran to the time when the presidency of the Royal Academy could have been his; and in all this opulent detail the character of the man overshadows even the distinction of the artist as the true theme of the book.
British Generalship on the Western Front 1914-1918
This book explores how British Army learnt from the pyrrhic victories of 1915-17 and developed the new tactics, leadership and doctrine of combined arms to overcome the tactical stalemate hitherto bedevilling Allied offensives to defeat the
An Autobiography: Volumes I & II
Reproduction of the original: An Autobiography: Volumes I & II by Margot Asquith
Anatomy of Inspiration
First Published in 1967. This volume is a collection of works, like letters, autobiographies and eye-witness accounts, relating to historical data that exits relating to 'mind in creation'. It includes an appendix with 'The Birth of a Poem' by Robert B.M. Nichols.
Stewards of the Nation's Art
Between 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments. Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age.
Sickert
Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.
Annual Report
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