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"Learn about the incredible saga of Leonardos Earlier Mona Lisa with this beautifully detailed, 240 page book that includes the historical background, scientific testing, forensic expertise and cutting-edge research in art authentication. It took 500 years to make the paintings story public when you read the book, you will understand why."-- Publisher's description.
It is the catalogue of the first European exhibit of the Earlier Mona Lisa, a masterpiece studied since 2012 only, today recognized as Leonardo's first rendering of Mona Lisa. The book is intended to showcase the considerable body of scientific, comparative and historical research confirming the conclusion that the most important and significant sections of the painting are the work of Leonardo. As the painting has been out of the public eye for so long, the existence of an earlier version of the famous Louvre one might still be quite surprising to many art lovers. This exhibition catalogue is meant to guide you through the essential facts and stories relating to the painting and the many people that have crossed its path over the past five centuries. It also shows the multitude of proofs that have led to the painting being attributed to the great master, and presents many of the experts who were involved in this process.
The woman in Leonardo da Vinci's work gazes out from the canvas with a quiet serenity. But what lies behind the famous smile? Shrouded in mystery, the Mona Lisa has attracted more speculation and questioning than any other work of art ever created. This work provides an aide memoire of the world's most famous painting. The full-page colour plates portray the Mona Lisa in close-up photographs, while Serge Bramly, the author, explores its shadowy history and the fascination the painting has engendered.
The book rests on the premise that the woman in the painting "Mona Lisa" is indeed the person identified in its earliest description: Lisa Gherardini (1479-1542), wife of the Florence merchant Francesco del Giocondo. Dianne Hales has followed facts from the Florence State Archives, to the squalid street where Mona Lisa was born, to the ruins of the convent where she died
Leonardo da Vinci was one of history's true geniuses, equally brilliant as an artist, scientist, and mathematician. Readers of The Da Vinci Code were given a glimpse of the mysterious connections between math, science, and Leonardo's art. Math and the Mona Lisa picks up where The Da Vinci Code left off, illuminating Leonardo's life and work to uncover connections that, until now, have been known only to scholars. Bülent Atalay, a distinguished scientist and artist, examines the science and mathematics that underlie Leonardo's work, paying special attention to the proportions, patterns, shapes, and symmetries that scientists and mathematicians have also identified in nature. Following Leonardo's own unique model, Atalay searches for the internal dynamics of art and science, revealing to us the deep unity of the two cultures. He provides a broad overview of the development of science from the dawn of civilization to today's quantum mechanics. From this base of information, Atalay offers a fascinating view into Leonardo's restless intellect and modus operandi, allowing us to see the source of his ideas and to appreciate his art from a new perspective.
THE Mona Lisa in the Louvre has been accepted for four centuries as the one, only, and original version of the famous portrait of Madonna Lisa Giocondo painted by Leonardo da Vinci. It is difficult to break down a tradition of such long standing, yet this is what is claimed to be done in the following pages. But in order to accomplish this, theories and arguments, no matter how strong and plausible they be, count as nothing unless substantiated by facts and direct contemporaneous evidence, and it is on these latter that the onus probandi lies. The fact that there are two Mona Lisas in existence to-day, both of superlative intrinsic merit, and both the work of Leonardo da Vinci, the one with ...
Art historians have long debated the question why sources about the origin of the Mona Lisa portrait provide conflicting information. This monograph presents a solution for this quandary: these 16th century sources don't agree because they are not talking about the same painting. If we consider this possibility, that Leonardo painted not one, but two versions of the Mona Lisa, then all of these problems begin to resolve themselves. In fact, throughout his life Leonardo would often return to a motif or composition for a variety of reasons. Thus we have at least two versions of The Virgin of the Rocks, painted by Leonardo with the De Predis brothers in Milan, and two versions of the Madonna of...
Traces the early history of the Holy Land; the rise of Christianity, Judaism, and Islam; and the geographical landscape of the region, in chronologically arranged chapters that place biblical texts in their historical context.
"'Blue dog speaks' is the first book to emphasize Rodrigue's witty and insightful titles alongside his works. Both playful and thought-provoking, this beautifully illustrated gift book will delight Blue Dog fans and introduce newcomers to the pop culture phenomenon that is Blue Dog"--Back cover.
A new examination of Leonardo's career that illuminates his time as court painter to the Duke of Milan, an experience that fundamentally changed his outlook and his legacy