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Interacting with Print
A thorough rethinking of a field deserves to take a shape that is in itself new. Interacting with Print delivers on this premise, reworking the history of print through a unique effort in authorial collaboration. The book itself is not a typical monograph—rather, it is a “multigraph,” the collective work of twenty-two scholars who together have assembled an alphabetically arranged tour of key concepts for the study of print culture, from Anthologies and Binding to Publicity and Taste. Each entry builds on its term in order to resituate print and book history within a broader media ecology throughout the eighteenth and nineteenth centuries. The central theme is interactivity, in three senses: people interacting with print; print interacting with the non-print media that it has long been thought, erroneously, to have displaced; and people interacting with each other through print. The resulting book will introduce new energy to the field of print studies and lead to considerable new avenues of investigation.
Enumerations
For well over a century, academic disciplines have studied human behavior using quantitative information. Until recently, however, the humanities have remained largely immune to the use of data—or vigorously resisted it. Thanks to new developments in computer science and natural language processing, literary scholars have embraced the quantitative study of literary works and have helped make Digital Humanities a rapidly growing field. But these developments raise a fundamental, and as yet unanswered question: what is the meaning of literary quantity? In Enumerations, Andrew Piper answers that question across a variety of domains fundamental to the study of literature. He focuses on the ele...
Book Was There
Andrew Piper grew up liking books and loving computers. While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation—and the father of two digital natives—he understands that we live in electronic times. Book Was There is Piper’s surprising and always entertaining essay on reading in an e-reader world. Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what...
Rhetorical Climatology
What if rhetoric and climate are intimately connected? Taking climates to be rhetorical and rhetoric to be climatic, A Reading Group offers a generative framework for making sense of rhetorical studies as they grapple with the challenges posed by antiracist, decolonial, affective, ecological, and more-than-human scholarship to a tradition with a long history of being centered around individual, usually privileged, human agents wielding language as their principal instrument. Understanding the atmospheric and ambient energies of rhetoric underscores the challenges and promises of trying to heal a harmed world from within it. A cowritten “multigraph,” which began in 2018 as a reading group, this book enacts an intimate, mutualistic spirit of shared critical inquiry and play—an exciting new way of doing, thinking, and feeling rhetorical studies by six prominent scholars in rhetoric from communication and English departments alike.
Handschrift im Druck (ca. 1500–1800)
Dem Neben- und Miteinander von Hand- und Druckschriftlichkeit in der Frühen Neuzeit bis in die Goethezeit ist in der Forschung bisher nur ungenügend Beachtung geschenkt worden. Der Übergang von der Hand- zur Druckschriftlichkeit ‚nach Gutenberg‘ wird gerne als ein Ablösungsprozess beschrieben; erst in der Zeit um 1800 nehme die Handschrift im Lichte neuer Autorschafts- und Individualitätskonzepte neuen, auratischen Charakter an. Der Band argumentiert in Fallstudien für eine neue Aufmerksamkeit für die zahlreichen Interferenzphänomene von Handschrift und Druck, die die unterschiedlichsten Formen und Funktionen annehmen können. Er fokussiert besonders handschriftliche Intervention...
Material Transgressions
Material Transgressions examines how Romantic-era authors explored morecapacious ideas of materiality that challenged ideologies of discrete bodies,sexed affects, and nonhuman things. Thenew materialist processes traced in these essays craft alternative modes ofbeing-in-the-world that create new ways of understanding materiality both inthe Romantic period and now.
Technology and Literature
Whereas previous books have explored how literature depicts or discusses scientific concepts, this book argues that literature is a technology. It shows how literature has been shaped by technological revolutions, and reveals the essential work that literature has done in helping to uncover the consequences of new technologies. Individual chapters focus on how specific literary technologies – the development of writing, the printing press, typewriters, the computer – changed the kinds of stories it was possible to tell, and how one could tell them. They also cover the way that literature has engaged with non-literary technologies – clocks, compasses, trains, telegraphs, cameras, bombs, computer networks – to help its readers to work through the new social configurations and new possibilities for human identity and imagination that they unveil. Human life is inescapably mediated through technology; literature demonstrates this, and thus helps its readers to engage consciously and actively with their technological worlds.
Making Stars
Making Stars provides multiple perspectives on the simultaneous emergence of modern forms of life writing and celebrity culture in eighteenth-century Britain. Crossing multiple genres and media, contributors reveal the complex and varied ways in which these modern ways of thinking about individual identity mutually conditioned their emergence during this formative period.
Ephemeral Print Culture in Early Modern England
Uses the collections of ephemera popular in the late seventeenth century as a way to understand the reading habits, publishing strategies and thought processes of late Stuart print culture. Cheap' genres of print such as ballads, almanacs and playing cards were part of everyday life in seventeenth-century society - ubiquitous and disposable. Toward the end of the century, however, individuals began to preserve, arrange and display articles of cheap print within carefully curated collections. What motivated this sudden urge to preserve the ephemeral? This book answers that question by analysing the social, political and intellectual factors behind the formation of cheap print collections, how...
