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In designing a theater, an architect must design a hub for the activities of actors, dancers, and musicians of every genre, and appease directors, producers, and the all-important public. This successful title has proved its practicality as a guide to building the modern theater, concert hall and cultural center designed for academic, civic and private use. Now in its first reprint edition, it has also been published in Chinese, and has proved a valuable resource for both architects and commissioning agents. The expertise of Hardy Holzman and Pfeiffer Associates (HHPA) is demonstrated time and again throughout this book, with color photography, and essays by performers, curators, artistic directors, actors, lighting designers, academic musicians, playwrights, and dancers amongst others. This book showcases their work through new buildings, old theater renovations and older building refitted as theaters.
The opulent St. Petersburg Imperial Theaters were subsidized and administered by the Russian court from the eighteenth century until the collapse of the tsarist order in 1917. This close association raises many questions about the uses of these theaters and where their loyalties lay in the complex shifting power structure of early twentieth century Russia. This history begins in 1900 with the theater flourishing but undergoing change, then chronicles the impact of war and revolution, as well as audience and administration, leading up to the effective re-establishment of state control over the theaters by the Bolsheviks in 1920. While the theaters were often allied with the forces of change, their grandeur harked back to the age of the tsars, creating an irony that is explored here in depth. Photographs and diagrams of the theaters are included, along with photographs of the central historical figures, and contemporary cartoons referring to the theaters.
"Liberty Theater by Rosalind Fox Solomon brings together her photographs made in the Southern United States from the 1970s to 1990s, never before published together as a group. Solomon's images depict a complex terrain of social and emotional issues inherited over generations: a world of class and gender divisions, implied and overt racism, competing notions of liberty, and lurking violence. Journeying through Alabama, Georgia, Florida, Louisiana, Mississippi, Tennessee, and South California, Solomon draws attention to cultural idiosyncrasies, paradoxes and theatrical displays: a Daughter of the Confederacy sits in costume with a china doll from her collection; a dead tree stump, fenced and suspended with wires is elevated to the status of a Civil War monument; African American boys examine a vitrine of guns as two white police manikins loom behind them. Poised between act and re-enactment, the animate and the inanimate, Solomon's images reveal how history becomes a vernacular performance and identity a form of theatre.--
Since movies were first exhibited in the late 19th century, Maryland has been home to hundreds of theaters. Some of these theaters were built for movies, but others were traditional theaters, academies of music, lodge halls, and even town halls. This volume illustrates the development of movie theaters throughout Maryland with historic photographs from the author's extensive collection as well as from the collections of several historical societies, libraries, and individuals. Contemporary theaters have not been neglected; as the average life span of a movie theater is 25 years or fewer, these theaters may vanish almost overnight. This has been the fate of almost all of the theaters built in the 1960s and the multiplexes built between 1964 and 1990. Readers can relive the nostalgia of past trips to the movies as they explore the pages of this book.
Long before folks had a television set and radio in every room, they sought entertainment by stepping out for a night on the town. The choices around Cincinnati were nearly limitless: live theater at the Cox; spectacular musicals at the Shubert; hotels featuring fine dining and dance orchestras; talking pictures at everyoneA[a¬a[s favorite movie palaceA[a¬athe Albee; burlesque and vaudeville shows at the Empress Theater on Vine Street; and gambling casinos were just a short drive across the river in Newport. All of the major entertainment venues in the Queen City during the first half of the 20th century are explored in Stepping out in Cincinnati. From saloons to ornate movie palaces and f...
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