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The spectacle of the wounded body figured prominently in the Middle Ages, from images of Christ’s wounds on the cross, to the ripped and torn bodies of tortured saints who miraculously heal through divine intervention, to graphic accounts of battlefield and tournament wounds—evidence of which survives in the archaeological record—and literary episodes of fatal (or not so fatal) wounds. This volume offers a comprehensive look at the complexity of wounding and wound repair in medieval literature and culture, bringing together essays from a wide range of sources and disciplines including arms and armaments, military history, medical history, literature, art history, hagiography, and archaeology across medieval and early modern Europe. Contributors are Stephen Atkinson, Debby Banham, Albrecht Classen, Joshua Easterling, Charlene M. Eska, Carmel Ferragud, M.R. Geldof, Elina Gertsman, Barbara A. Goodman, Máire Johnson, Rachel E. Kellett, Ilana Krug, Virginia Langum, Michael Livingston, Iain A. MacInnes, Timothy May, Vibeke Olson, Salvador Ryan, William Sayers, Patricia Skinner, Alicia Spencer-Hall, Wendy J. Turner, Christine Voth, and Robert C. Woosnam-Savage.
The first comprehensive history of late medieval printmaking, which transformed image production and led to profound changes in Western culture
This book is the history of an imaginary people — the Red Jews — in vernacular sources from medieval and early modern Germany. From the twelfth to the seventeenth century, German-language texts repeated and embroidered on an antisemitic tale concerning an epochal threat to Christianity, the Red Jews. This term, which expresses a medieval conflation of three separate traditions (the biblical destroyers Gog and Magog, the 'unclean peoples' enclosed by Alexander, and the Ten Lost Tribes of Israel), is a hostile designation of wickedness. The Red Jews played a major role in late medieval popular exegesis and literature, and appeared in a hitherto-unnoticed series of sixteenth-century pamphlets, in which they functioned as the medieval 'spectacles' through which contemporaries viewed such events as Turkish advances in the Near and Middle East. The Red Jews disappear from the sources after 1600, and consequently never found their way into historical scholarship.
This book offers a novel approach to the history of high culture and new perspectives on the history of civil society in provincial Germany. It makes the concept of place a central means for understanding how art culture was defined, consumed, and, importantly, distributed over the course of the long nineteenth century. It shows how “temples of culture” come to be built where they were built. It further demonstrates who participated in their planning, funding, construction, and ultimate evolution into public institutions, highlighting underexamined links between the history of art culture and that of urban history and civil society.
The history of Oxford University Press spans five centuries of printing and publishing. Taking the story from 1780 to 1896, this volume covers developments in publishing technology, the output of the University Press, its relationship with the University and city of Oxford, and its growing place in the wider book trade.
The papers collected in this volume discuss descriptive methods and present conclusions relevant for the history of the book production and reception. Books printed in Europe in the 15th and 16th century still had much in common with manuscripts. They are not mere textual sources, but also material objects whose physical make-up and individual features need to be taken into account in library projects for cataloguing and digitization.
Anne Troelstra’s fine bibliography is an outstanding and ground-breaking work. He has provided the academic world with a long-needed bibliographical record of human endeavour in the field of the natural sciences. The travel narratives listed here encompass all aspects of the natural world in every part of the globe, but are especially concerned with its fauna, flora and fossil remains. Such eyewitness accounts have always fascinated their readers, but they were never written solely for entertainment: fragmentary though they often are, these narratives of travel and exploration are of immense importance for our scientific understanding of life on earth, providing us with a window on an ever...
This volume is a revised and improved edition of the auction catalogue of Kierkegaard’s private library. The catalogue has long served as one of the most valuable tools in Kierkegaard studies and has been actively used by commentators, translators and researchers for tracing the various sources of Kierkegaard’s thought. With the catalogue in hand, one can determine with some degree of probability what books he read and what editions he used for his information about specific authors. The present volume represents the fourth printing of the catalogue, and it differs from its predecessors in many respects. The previous editions contained incomplete, erroneous and inconsistent bibliographical information about the works in the catalogue. The primary goal of the present edition was to obtain all of the books and check their title pages for the precise bibliographical information. The result is an accurate and reliable edition of the catalogue that conforms to the needs of Kierkegaard studies in the digital age.