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The idea for this book sprang from Geoffrey Cocks' curiosity as to what happened in the new, dynamic field of psychotherapy hi Germany with the advent of Hitler. While traditional views merely asserted that the Nazis destroyed the field of psychotherapy in Germany, a viewpoint justifiably based on the testimony of those in the field who had emigrated from Germany to escape Nazi persecution, Cocks learned that there was more to the story. He looked to several interesting shards of evidence that pointed to the possibility that one could reconstruct a history of morally questionable professional developments in German psychotherapy during the Third Reich. The evidence included: existence of a j...
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The book represents an urgently needed reference work on both the contents and the impact of the Code; drawing on as-yet unpublished materials, it offers a paragraph-by-paragraph commentary on the Code, as well as an in-depth assessment of implementation trends in the OSCE region.
This volume of ten essays presents the most recent trends in Mendelssohn research, covering three broad categories - reception history, historical and critical essays and case studies of particular compositions.
As historians rediscover human society to be as much about desire, fantasy, and irrationality as it is about interest, reality, and reason, the history of psychoanalytic thought takes on an increasing significance. Its growth and interconnection with other fields appealed to the eclectic and holistic interests of historians so much so that the term "psychohistory" was coined, admiringly, ambivalently, or perjoratively. The methodological intersection of psychology and history also helped move us toward a more inclusive social history through investigation of the institutional history of medical sciences of the mind.Treating Mind and Body examines the recent history of psychotherapy, psychoan...
In this first monograph on E. T. A. Hoffmann and opera, Francien Markx examines Hoffmann’s writings on opera and the challenges they pose to established narratives of aesthetic autonomy, the search for a national opera, and Hoffmann’s biography. Markx discusses Hoffmann’s lifelong fascination with opera against the backdrop of eighteenth-century theater reform, the creation of national identity, contemporary performance practices and musical and aesthetic discourses as voiced by C. M. von Weber, A. W. Schlegel, Heine, and Wagner, among others. The book reconsiders the traditional view that German opera followed a deterministic trajectory toward Wagner’s Gesamtkunstwerk and reveals a cosmopolitan spirit in Hoffmann’s operatic vision, most notably exemplified by his controversial advocacy for Spontini in Berlin.
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This book shows how Dante Alighieri has been represented in the Italian collective imagination from the late eighteenth century to the present day. Often held to be a precursor of Italian unity, the author of the Divine Comedy has been put forward both as a standard-bearer of a secular, anti-clerical Italy and the embodiment of the concept of a deeply religious and Catholic nation; while he was later adopted by nationalist and fascists as well as a pop icon in the age of the internet and globalization. The book describes this long and fascinating history from a completely original point of view: the centuries-old myth of Dante is analysed from the perspective of cultural history. The sources employed include Dante commemorations, festivals and monuments, pilgrimages to his tomb, films and other media productions about Dante, as well as comic strips, advertisements and other cultural items dedicated to him.
The contributors to this volume analyse the effectiveness of the due diligence standard as well as other strategies to prevent and respond to violence against women by non-state actors taking into account contemporary problems that pose threats to womena (TM)s rights.