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Anarchism and the Advent of Paris Dada
  • Language: en
  • Pages: 206

Anarchism and the Advent of Paris Dada

  • Categories: Art
  • Type: Book
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  • Published: 2017-07-05
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  • Publisher: Routledge

Anarchism and the Advent of Paris Dada sheds new light on Paris Dada's role in developing the anarchist and individualist philosophies that helped shape the cultural dialogue in France following the First World War. Drawing on such surviving documentation as correspondence, criticism, periodicals, pamphlets, and manifestoes, this book argues that, contrary to received wisdom, Dada was driven by a vision of social change through radical cultural upheaval. The first book-length study to interrogate the Paris Dadaists' complex and often contested position in the postwar groundswell of anarcho-individualism, Anarchism and the Advent of Paris Dada offers an unprecedented analysis of Paris Dada li...

Magritte and Contemporary Art
  • Language: en
  • Pages: 264

Magritte and Contemporary Art

  • Categories: Art
  • Type: Book
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  • Published: 2006
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  • Publisher: Ludion

Essays by Michel Draguet, Dickram Tashjian, Sara Cochran, Theresa Papanikolas, Thierry de Duve and Stephanie Barron. Introduction by Stephanie Barron.

Anarchism and the Advent of Paris Dada
  • Language: en
  • Pages: 216

Anarchism and the Advent of Paris Dada

  • Categories: Art
  • Type: Book
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  • Published: 2010
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  • Publisher: Routledge

Anarchism and the Advent of Paris Dada is the first book-length study to interrogate the Paris Dadaists' complex and often contested position in the postwar groundswell of anarchoindividualism. Drawing on such surviving documentation as correspondence, criticism, periodicals, pamphlets, and manifestoes, this book argues that, contrary to received wisdom, Dada was driven by a vision of social change through radical cultural upheaval.

Collecting Latin American Art for the 21st Century
  • Language: en
  • Pages: 208

Collecting Latin American Art for the 21st Century

  • Categories: Art

"This anthology is based on the symposium 'Collecting Latin American Art for the 21st century' the first public event organized by the MFAH's Department of Latin American Art and International Center for the Arts of the Americas."--Page 4 of cover.

Concepts of the World
  • Language: en
  • Pages: 493

Concepts of the World

How did the avant-garde imagine its interconnected world? And how does this legacy affect our understanding of the global today? The writers and artists of the French avant-garde aspired to reach a global audience that would be wholly transformed by their work. In this study, Effie Rentzou delves deep into their depictions of the interwar world as an international and modern landscape, one marked by a varied cosmopolitanism. The avant-garde’s conceptualization of the world paralleled, rejected, or expanded prevailing notions of the global sphere. The historical avant garde—which encompassed movements like futurism, Dada, and surrealism—was self-consciously international, operating acro...

Georgia O'Keeffe
  • Language: en
  • Pages: 63

Georgia O'Keeffe

  • Type: Book
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  • Published: 2020
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  • Publisher: Unknown

None

Immanent Vitalities
  • Language: en
  • Pages: 239

Immanent Vitalities

  • Categories: Art

A new reality for the art object has emerged in the world of contemporary art: it is now experienced less as an autonomous, inanimate form and more as an active material agent. In this book, Kaira M. Cabañas describes how such a shift in conceptions of art’s materiality came to occur, exploring key artistic practices in Venezuela, Brazil, and Western Europe from the mid-twentieth century to the present. Immanent Vitalities expands the discourse of new materialisms by charting how artists, ranging from Gego to Laura Lima, distance themselves from dualisms such as mind-matter, culture-nature, human-nonhuman, and even Western–non-Western in order to impact our understanding of what is animate. Tracing migrations of people, objects, and ideas between South America and Europe, Cabañas historicizes changing perceptions about art’s agency while prompting readers to remain attentive to the ethical dimensions of materiality and of social difference and lived experience.

Anarchism and the Avant-Garde
  • Language: en
  • Pages: 294

Anarchism and the Avant-Garde

  • Type: Book
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  • Published: 2019-11-04
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  • Publisher: BRILL

Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective offers a fresh approach to the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits.

Gaming Utopia
  • Language: en
  • Pages: 281

Gaming Utopia

In Gaming Utopia: Ludic Worlds in Art, Design, and Media, Claudia Costa Pederson analyzes modernist avant-garde and contemporary video games to challenge the idea that gaming is an exclusively white, heterosexual, male, corporatized leisure activity and reenvisions it as a catalyst for social change. By looking at over fifty projects that together span a century and the world, Pederson explores the capacity for sociopolitical commentary in virtual and digital realms and highlights contributions to the history of gaming by women, queer, and transnational artists. The result is a critical tool for understanding video games as imaginative forms of living that offer alternatives to our current reality. With an interdisciplinary approach, Gaming Utopia emphasizes how game design, creation, and play can become political forms of social protest and examines the ways that games as art open doors to a more just and peaceful world.

Gego
  • Language: en
  • Pages: 288

Gego

  • Categories: Art

An authoritative study of Gego, whose distinctive modernist practice sits at the intersection of architecture, design, and the visual arts This important book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912-94), known as Gego. In locating the artist's contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the "edge of modernity." In situating Gego's work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego's work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego's radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy.