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Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.
Geographies of Identity: Narrative Forms, Feminist Futures explores identity and American culture through hybrid, prose work by women, and expands the strategies of cultural poetics practices into the study of innovative narrative writing. Informed by Judith Butler, Homi Bhabha, Harryette Mullen, Julia Kristeva, and others, this project further considers feminist identity politics, race, and ethnicity as cultural content in and through poetic and non/narrative forms. The texts reflected on here explore literal and figurative landscapes, linguistic and cultural geographies, sexual borders, and spatial topographies. Ultimately, they offer non-prescriptive models that go beyond expectations for...
Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment fo...
#1 NATIONAL BESTSELLER The boundary- and genre-bending non-fiction collection from the Giller-longlisted, GG-shortlisted and Canada Reads– winning author of Jonny Appleseed. “The land and its elements are my aunties calling me home, into that centre point which is a nowhere, by which I mean a place that English has no words for, is an everywhere, is a bingo hall, is a fourth plane, is an ocean.” Making Love with the Land is a startling, challenging, uncompromising look at what it means to live as an Indigenous person “in the rupture” between identities. In these ten unique, heart-piercing non-fiction pieces, award-winning writer Joshua Whitehead illuminates the complex moment we’re living through now, in which Indigenous and non-Indigenous peoples are navigating new and old ideas about “the land.” He asks: What is our relationship and responsibility towards it? And how has the land shaped ideas, histories, words, our very bodies? Intellectually thrilling and emotionally captivating, this book is a love song for the world—and for the library of stories to be found where body meets land, waiting to be unearthed and summoned into word.
Sound Relations delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres--from hip hop to Christian hymnody and traditional drumsongs to funk and R&B --author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.
In My Body Is a Book of Rules, Elissa Washuta corrals the synaptic gymnastics of her teeming bipolar brain, interweaving pop culture with neurobiology and memories of sexual trauma to tell the story of her fight to calm her aching mind and slip beyond the tormenting cycles of memory.
For hundreds of years, American artisanship and American authorship were entangled practices rather than distinct disciplines. Books, like other objects, were multisensory items all North American communities and cultures, including Native and settler colonial ones, regularly made and used. All cultures and communities narrated and documented their histories and imaginations through a variety of media. All created objects for domestic, sacred, curative, and collective purposes. In this innovative work at the intersection of Indigenous studies, literary studies, book history, and material culture studies, Caroline Wigginton tells a story of the interweavings of Native craftwork and American l...
This high-energy Indigenous matriarchal story follows two urban Indigenous sisters and a lawless trickster who face the world head-on. Kamloopa explores the fearless love and passion of Indigenous women reconnecting with their homelands, ancestors, and stories. This boundary-blurring adventure will remind you to always dance like the ancestors are watching.
In June 1973, amid ideological rifts in the U.S. gay liberation movement, thousands of people gathered in New York City's Washington Square Park to commemorate the fourth anniversary of the Stonewall Rebellion. Partway through the rally, Street Transvestite Action Revolutionaries (STAR) co-founder Sylvia Rivera fought her way to the stage to address the predominantly white, middle class lesbian and gay crowd. Over the din of their boos and jeers, Rivera reprimanded the crowd for failing in their responsibilities to their "gay brothers and sisters" in jail, detailed the sacrifices she had made for the movement, and called them into the politics of STAR, "The people who are trying to do someth...
Globalizing Political Theory is guided by the need to understand political theory as deeply embedded in local networks of power, identity, and structure, and to examine how these networks converge and diverge with the global. With the help of this book, students of political theory no longer need to learn about ideas in a vacuum with little or no attention paid to how such ideas are responses to varying local political problems in different places, times, and contexts. Key features include: Central Conceptual Framework: Introducing readers to what it means to “globalize” political theory and to move beyond the traditional western canon and actively engage with a multiplicity of perspecti...