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DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div
Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.
In Words of Christ (Paroles du Christ) -- here translated into English for the first time -- Michel Henry asks how Christ can be both human and divine. He considers, further, how we as humans can experience Christ's humanity and divinity through his words. Are we able to recognize this speech as divine, and if so, then how? What can testify to the divine nature of these words? What makes them intelligible? Startling possibilities -- and further questions -- emerge as Henry systematically explores these enigmas. For example, how does the phenomenology of life bring to light the God of which scripture speaks? Might this new region of phenomenality broaden or transform the discipline of phenomenology itself, or theology? Henry approaches these questions starting from the angle of material phenomenology, but his study has far-reaching implications for other disciplines too. Intended for a wide audience, his work is a uniquely philosophical approach to the question of Christ and to the place of this question in human experience. This highly original, interdisciplinary perspective on Christ's words was Henry's last work, published shortly after his death in 2002.
The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comp...
Quiet Powers of the Possible offers an excellent introduction to contemporary French phenomenology through a series of interviews with its most prominent figures. Guided by rigorous questions that push into the most important aspects of the latest phenomenological research, the book gives readers a comprehensive sense of each thinker’s intellectual history, motivations, and philosophical commitments. The book introduces readers to debates that have not previously been accessible to the English-speaking world, such as the growing interest in the phenomenological concept of life in its affective and even vital dimensions, the emerging dialogue with the analytic philosophy of mind and language, and reassessments of the so-called theological turn. The diversity of approaches collected here has its origin in a deeper debate about the conceptual and historical foundations of phenomenology itself. In this way the book offers the most accessible and wide-ranging introduction to French phenomenology to have appeared in the English-speaking world to date.
A travers personnages de fiction et personnes historiques, poésie, théâtre et opéra, ce livre présente un panorama de l'époque baroque au plan historique, avec ses doutes, ses interrogations, ses réponses.
Introduction à la lecture d'une oeuvre dont la portée dépasse les limites des lecteurs de philosophie, ce recueil des entretiens accordés par le philosophe au cours des vingt dernières années de sa vie, permet de retrouver, du marxisme au christianisme, en passant par la psychanalyse et le capitalisme tous les grands thèmes qui lui ont permis de construire une généalogie de la modernité.
Recasting French literary history in terms of the cultures and peoples that interacted within and outside of France's national boundaries, this volume offers a new way of looking at the history of a national literature, along with a truly global and contemporary understanding of language, literature, and culture. The relationship between France's national territory and other regions of the world where French is spoken and written (most of them former colonies) has long been central to discussions of "Francophonie." Boldly expanding such discussions to the whole range of French literature, the essays in this volume explore spaces, mobilities, and multiplicities from the Middle Ages to today. ...
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