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Renaissance sources of polyphonic music not only convey a rich repertoire of some of the most impressive music ever written. From the point of view of their layout or mise-en-page, they are also amongst the most complex books of their time. They typically combine verbal text, musical notation and other graphic devices, and the different voice parts are arranged to be read separately by the performers, yet to be performed simultaneously. As an integral part of the production and use of these books, the mise-en-page thus provides crucial information for the understanding of the repertoire that is transmitted through them. The present volume combines a number of studies resulting from a research project funded by the UK Arts and Humanities Research Council (AHRC) into this question, combining the examination of a number of overarching themes (e.g. luxury codices, printed polyphony, music theory books, illumination) with case studies of individual sources.
A reasoned response to the contemporary moral debate about homosexuality, taking into account the latest medical and social scientific research, and thoroughly examining biblical and theological concerns.
If you could add a book to the Bible, what would it contain? Here is one answer to that question: a "sequel" to Acts, showing the later careers of the Twelve, Paul's final travels before he faces Nero, the commission of the four Gospels, Jerusalem and its temple destroyed, the importance of the family of Jesus, and how close the apostles got to "the ends of the earth" in spreading the gospel. The Apostles after Acts includes a commentary that explains how the text was reconstructed from ancient sources and historical research. Here is a creative approach to the little-known but critical period when the New Testament record stops--and Christianity is just beginning.
Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn critically engages with the composer's music and aesthetics, as well as the interpretation of his works in relation to contemporaneous culture.
Most people think of weakness as purely negative, but true Christianity embraces weakness as a way of life. In this collection of meditations on 2 Corinthians, renowned Bible scholar and theologian J. I. Packer reflects on the central importance of weakness for the Christian life. He exhorts readers to look to Christ for strength, affirmation, and contentment in the midst of their own sin and frailty. Now in his mid-eighties, Packer mediates on the truths of Scripture with pastoral warmth and exegetical care, drawing on lessons learned from the experience of growing older and coming face-to-face with his own mortality. Overflowing with wisdom gleaned from a life of obedience to Christ and dependence on his Word, this encouraging book ultimately directs readers to the God who promises to be ever-present and all-sufficient.
Since about 1970 there has been a veritable renaissance in scholarship and performances concerning the works of Felix Mendelssohn Bartholdy and Fanny Hensel. The essays in this book, presenting the findings of three generations of members of the international community of Mendelssohn/Hensel scholars, constitute a compendium of cutting-edge research relating to these two important representatives of nineteenth-century musical culture.
The first examination of the formation of the New Testament as a Greco-Roman legal document known as a 'testament.'
This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.
This book surveys the life, work, and posthumous reception of nineteenth-century German-Jewish composer Felix Mendelssohn.