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The Heritage of Heinlein
Robert A. Heinlein is generally recognized as the most important American science fiction writer of the 20th century. This is the first detailed critical examination of his entire career. It is not a biography--that is being done in a two-volume work by William Patterson. Instead, this book looks at each piece of fiction (and a few pieces of sf-related nonfiction) that Heinlein wrote, chronologically by date of publication, in order to consider what each contributes to his overall accomplishment. The aim is to be fair, to look clearly at the strengths and weaknesses of the writings that have inspired generations of readers and writers.
Voices for the Future
Bringing together a group of original essays concerning major writers of science fiction whose careers had begun by the end of World War II, this volume covers Isaac Asimov, Ray Bradbury, Arthur C. Clarke, C. L. Moore, Clifford D. Simak, Olaf Stapledon, Kurt Vonnegut, and Jack Williamson.
Understanding Contemporary American Science Fiction
Discusses writers such as Poul Anderson, Brian W. Aldiss, Isaac Asimov, J.G. Ballard, Alfred Bester, James Blish, Anthony Boucher, Ray Bradbury, Algis Budrys, Edgar Rice Burroughs, John W. Campbell, Arthur C. Clarke, Hal Clement, Samuel R. Delany, Lester del Rey, Philip K. Dick, Gordon R. Dickson, Thomas Disch, Harlan Ellison, Philip Jose Farmer, Randall Garrett, Robert A. Heinlein, Zenna Henderson, Frank Herbert, Damon Knight, Cyril Kornbluth, Ursula K. Le Guin, Murray Leinster, Anne McCaffrey, Judith Merril, A. Merritt, Walter M. Miller Jr., Michael Moorcock, Andre Norton, Alexei Panshin, H. Beam Piper, Frederik Pohl, Joanna Russ, Robert Silverberg, Clifford D. Simak, Cordwainer Smith, E.E. "Doc" Smith, Norman Spinrad, Theodore Sturgeon, Jack Vance, A.E. van Vogt, Kurt Vonnegut, Donald Wollheim, RogerZelazny, Jack Williamson, and others.
Paranoia, the Bomb, and 1950s Science Fiction Films
The various monsters that people 1950s sf - giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few - serve as metaphorical embodiments of a varied and complex cultural paranoia."--BOOK JACKET. "Hendershot provides both theoretical discussion of paranoia and close readings of sf films in order to construct her argument, elucidating the various metaphors used by these films to convey a paranoiac view of a society forever altered by the atomic bomb."--BOOK JACKET.
When the Fires Burn High and The Wind is From the North
Born in 1904, Clifford D. Simak sold his first science fiction story in 1930, and was soon publishing widely in the pulp magazines. He also pursued a separate career as a journalist and writer on science and other popular topics. He gained widespread fame in the SF world with the first of his series of "City" stories, published in Astounding Science Fiction in 1944; these were collected together in the book of the same title, which has remained almost continuously in print ever since. Simak was best known for his pastoral and humanitarian themes, as exemplied in his Hugo Award-winning novel, Way Station (1963). In later years he wrote both fantasy and SF stories and novels, winning many additional accolades for his work. He died in 1988. Robert J. Ewald provides the first extended look at Simak's writing, from his earliest pulp stories to the sophistical fiction of his later years. Complete with Chronology, Notes, Primary and Secondary Bibliographies, and detailed Index.
Critical Companion to Kurt Vonnegut
Kurt Vonnegut is one of the most popular and admired authors of post-war American literaturefamous both for his playful and deceptively simple style as well as for his scathing critiques of social injustice and war. Criti.
Arthur C. Clarke
The second edition of Eric S. Rabkin's study of the life and work of Arthur C. Clarke.
Merlin and Legendary Romance
An indepth work on the origins of the Merlin of Arthurian legend, this book examines early texts, thirteenth century romances focusing particularly on Merlin as a character, rather than those where Merlin is a background cast member. The outline here starts with looking at the genre and the place of fantasy, moving on to consider the attitudes towards magic and magic-users in medieval times. Main works considered are Geoffrey of Monmouth’s Historia Regum Britanniae and Vita Merlini; the Vulgate cycle, Suite du Merlin; and finally Malory’s work. The author asserts that each portrays a different approach to Merlin but all are tied to history and to the Christian religion.
