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By the flip of a coin, Thomas Dionysius Clark became intertwined in the vast history of Kentucky. In 1928, Clark received scholarships to both the University of Cincinnati and to the University of Kentucky. Kentucky won the coin toss and the claim to one of the South's eminent historians. In 1990, when the Kentucky General Assembly honored Clark by declaring him Kentucky's Historian Laureate for life, Governor Brereton Jones described Clark as "Kentucky's greatest treasure." Historian, advocate, educator, preservationist, publisher, writer, mentor, friend, Kentuckian—Dr. Clark has filled all these roles and more. Thomas D. Clark of Kentucky is a celebration of his life and careerby just a few of those who have felt his influence and shared his enthusiasm for his adopted home state of Kentucky.
Originally published: New York: Prentice-Hall, 1937.
When Thomas D. Clark was hired to teach history at the University of Kentucky in 1931, he began a career that would span nearly three-quarters of a century and would profoundly change not only the history department and the university but the entire Commonwealth. His still-definitive History of Kentucky (1937) was one of more than thirty books he would write or edit that dealt with Kentucky, the South, and the American frontier. In addition to his wide scholarly contributions, Clark devoted his life to the preservation of Kentucky's historical records. He began this crusade by collecting vast stores of Kentucky's military records from the War of 1812, the Mexican War, and the Civil War. His ...
The award-winning team of photographer James Archambeault and writer Dr. Thomas D. Clark captures the magic of Kentucky.
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No part of American history is more exciting than the 1770's, when Europeans first settled west of the Appalachian mountains in the land now known as Kentucky. Simon Kenton's story is synonymous with the story of that era. His life of excitement, adventure, and danger on the frontier made him one of the leading heroes of that time and, eventually a Kentucky legend.
In this volume, the relationships between two of the most vital currents in Western thought are examined by a group of nineteen internationally known specialists in a variety of disciplines—classics, patristics, philosophy, theology, history of ideas, and literature. The contributing scholars discuss Neoplatonic theories about God, creation, man, and salvation, in relation to the ways in which they were adopted, adapted, or rejected by major Christian thinkers of five periods: Patristic, Later Greek and Byzantine, Medieval, Renaissance, and Modern. Contributors include G.-H. Allard, A. Hilary Armstrong, Elizabeth Bieman, Linos Benakis, Henry Blumenthal, Mary T. Clark, Norris Clarke, John Dillon, Cornelio Fabro, John N. Findlay, Maurice de Gandillac, Edward P. Mahoney, Bernard McGinn, Dominic J. O'Meara, John J. O'Meara, Jean Pépin, Mary Carman Rose, Henri-Dominique Saffrey, Charles B. Schmitt, and Gérard Verbeke.
When Thomas D. Clark was hired to teach history at the University of Kentucky in 1931, he began a career that would span nearly three-quarters of a century and would profoundly change not only the history department and the university but the entire Commonwealth. His still-definitive History of Kentucky (1937) was one of more than thirty books he would write or edit that dealt with Kentucky, the South, and the American frontier. In addition to his wide scholarly contributions, Clark devoted his life to the preservation of Kentucky's historical records. He began this crusade by collecting vast stores of Kentucky's military records from the War of 1812, the Mexican War, and the Civil War. His ...
From its origins in the Cumberland Mountains to its entry into the Ohio, the Kentucky River flows through two areas that have made Kentucky known throughout the world -- the mountains in the eastern part of the state and the Bluegrass in its center. In The Kentucky, Thomas D. Clark paints a rich panorama of history and life along the river, peopled with the famous and infamous, ordinary folk and legendary characters. It is a canvas distinctly emblematic of the American experience. The Kentucky was first published in 1942 as part of the ""Rivers of America"" series and has long been out of pr.