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The basic concept of society has come under attack - political acts, critical theory, new media and even history itself have undermined what we think of as the social. The Future of Social Theory brings together new interviews with the world's leading social theorists on what society means today: Zygmunt Bauman, John Urry, Saska Sassen, Bruno Latour, Scott Lash, Nikolas Rose, Judith Butler and Francoise Verges. The topics covered include: liquid modernization and the individualization of the society; the shift towards global forms of chaos and complexity; the displacement of the social into global city networks; the shift away from a theory of the social to a theory of space; the transformation of society with the rise of new technology; the continuing influence of historical forms of political power; society as a gendered idea; and society as a product of Empire.
This volume honours Sandor Ferenczi, a central character in the birth of psychoanalysis, whose warm and passionate personality, ideas, and teachings permeate his world and his work, shaping psychoanalytical thinking of generations.
Most Americans consider a free press essential to democratic society -- either as an independent watchdog against governmental abuse of power or as a wide-open marketplace of ideas. But few understand that far-reaching public policies have shaped the news citizens receive. In an age when mass communication ranges from independent cable channels to the Internet, it is essential to assess these policies and their effects if we want the media to continue fulfilling their role. Freeing the Presses offers a pathbreaking inquiry into the theory and practice of freedom of the press at a critical time in the growing overlap between modern media and political discussion. Six political communication scholars draw upon history, sociology, political science, legal philosophy, and journalism to investigate whether the freedoms and privileges given to the news media and to reporters actually produce the results we expect. Their discussion covers past, present, and future media performance and engages a wide range of provocative questions.
A major reassessment of the work of Jean Paulhan within the context of his own times as well as in the light of contemporary debates in literary theory.
In fin-de-siècle France, politics were in an uproar, and gender roles blurred as never before. Into this maelstrom stepped the "new women," a group of primarily urban, middle-class French women who became the objects of intense public scrutiny. Some remained single, some entered nontraditional marriages, and some took up the professions of medicine and law, journalism and teaching. All of them challenged traditional notions of womanhood by living unconventional lives and doing supposedly "masculine" work outside the home. Mary Louise Roberts examines a constellation of famous new women active in journalism and the theater, including Marguerite Durand, founder of the women's newspaper La Fro...
A bold interpretation of contemporary French political culture that uses current political debates to understand how the French engage with politics.
Hip-Hop en Français charts the emergence and development of hip-hop culture in France, French Caribbean, Québec, and Senegal from its origins until today. With essays by renowned hip-hop scholars and a foreword by Marcyliena Morgan, executive director of the Harvard University Hiphop Archive and Research Institute, this edited volume addresses topics such as the history of rap music; hip-hop dance; the art of graffiti; hip-hop artists and their interactions with media arts, social media, literature, race, political and ideological landscapes; and hip-hop based education (HHBE). The contributors approach topics from a variety of different disciplines including African and African-American s...
On the leading edge of trauma and archival studies, this timely book engages with the recent growth in visual projects that respond to the archive, focusing in particular on installation art. It traces a line of argument from practitioners who explicitly depict the archive (Samuel Beckett, Christian Boltanski, Art & Language, Walid Raad) to those whose materials and practices are archival (Mirosław Bałka, Jean-Luc Godard, Silvia Kolbowski, Boltanski, Atom Egoyan). Jones considers in particular the widespread nostalgia for ‘archival’ media such as analogue photographs and film. He analyses the innovative strategies by which such artefacts are incorporated, examining five distinct types of archival practice: the intermedial, testimonial, personal, relational and monumentalist.
Noam Chomsky is as controversial as he is prolific, applying a rational, scientific approach to disciplines as diverse as linguistics, ethics, religion, and the strategy of war. Chomsky's best-known innovations involve a groundbreaking theory of generative and universal grammar, major advances in the classification of languages, and a radical reformulation of political theory and practice. In Chomsky Notebook, Norbert Hornstein (University of Maryland) and Cedric Boeckx (Harvard University) tackle Chomsky's linguistic theories; Akeel Bilgrami (Columbia University) revisits Chomsky's work on freedom and truth; and Pierre Jacob (Institut Jean Nicod) analyzes his naturalism. Chomsky's contributions include an interview and essays on Edward Said and the natural world. Altogether, these works reveal the penetration of Chomsky's thought into a number of fields within and outside of academia. It is an anthology that proves the power of his rationalism.