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In its first years as an independent state, Azerbaijan was a prime example of post-Soviet chaos - beset by coups and civil strife and astride an ethnic, political and religious divide. Author Goltz was detoured in Baku in mid-1991 and decided to stay, this diary is the record of his experiences.
The author of the acclaimed Azerbaijan Diary and Chechnya Diary now recounts his experiences in the
The startling adventures of a young Shakespearean street performer in 1970s Africa.
Chechnya Diary is a story about "the story" of the war in Chechnya, the "rogue republic" that attempted to secede from the Russian Federation at the time of the collapse of the Soviet Union in 1991. Specifically, it is the story of the Samashki Massacre, a symbol of the Russian brutality that was employed to crush Chechen resistance. Thomas Goltz is a member of the exclusive journalistic cadre of compulsive, danger-addicted voyeurs who court death to get the story. But in addition to providing a tour through the convoluted Soviet and then post-Soviet nationalities policy that led to the bloodbath in Chechnya, Chechnya Diary is part of a larger exploration of the role (and impact) of the medi...
This new edition of The Caucasus is a thorough update of an essential guide that has introduced thousands of readers to a complex region. Armenia, Azerbaijan, Georgia and the break-away territories that have tried to split away from them constitute one of the most diverse and challenging regions on earth, impressing the visitor with their multi-layered history and ethnic complexity. Over the last few years, the South Caucasus region has captured international attention again because of disputes between the West and Russia, its unresolved conflicts, and its role as an energy transport corridor to Europe. The Caucasus gives the reader a historical overview and an authoritative guide to the three conflicts that have blighted the region. Thomas de Waal tells the story of the "Five-Day War" between Georgia and Russia and recent political upheavals in all three countries. He also finds time to tell the reader about Georgian wine, Baku jazz and how the coast of Abkhazia was known as "Soviet Florida." Short, stimulating and rich in detail, The Caucasus is the perfect guide to this fascinating and little-understood region.
Recent radical changes have altered the form and functions of the diary, from the confession diaries of reality television, how-to diaries, and graphic diaries to the published diaries of war correspondents, the urgent personal writing of Arab women under conflict, and the daily online postings of sex bloggers.
ZAKHRAFA is the sixth regional memoir by Dr. Thomas Goltz on Turkey, the post-Soviet Caucasus and now the disappearing Middle East. While deep history is addressed in Goltz's familiar engaging manner, this deeply personal book focuses on SYRIA in the early 1980s (when a much younger Goltz was a student of Arabic in Damascus); EGYPT in the mid-1980s, focusing on "literary" Alexandria and the wild Sufii "birthday" celebrations in Cairo's "Cities of the Dead" and IRAQ following Gulf War I (1991), when the author became a "Rogue Relief Worker" in KURDISTAN. The book concludes with a special epilogue on the Turkish northern Aegean town of Ayvalik, the author's Middle Eastern "hometown" for the past 40 years. "Goltz is Montana's Sir Richard Francis Burton." -- Dr./Professor Jerry Johnson, Montana State University
Through the analysis of over seventy films and thirty television series, ranging from Shortbus, Sweet Home Alabama, and Poseidon to Noah’s Arc, Brothers & Sisters, and Dawson’s Creek, Goltz examines reoccurring narrative structures in popular media that perpetuate the extreme value placed upon "young" gay male bodies, while devaluing health, aging, and longevity. Alienated from the future -- outside of limited and exclusionary systems of marriage and procreation -- the gay male is narrated within a circular tragedy that draws upon cultural mythologies of "older" gay male predation, the absence of gay intergenerational mentorship, and the gay male as sacrificial victim. Using a Burkean framework, Goltz makes a theoretical, rhetorical, and cultural investigation of how the increased visibility of "positive" gay representation in dominant media shapes contemporary meanings of gay aging, heteronormative future, homonormative future, and queer potential.
This book offers a descriptive analysis of the Soviet/Russian wars in Afghanistan, Chechnya, and Georgia, as well as an in-depth exploration of the ways in which these wars are framed in the collective consciousness created by global popular culture. Russian and Western modalities of remembrance have been, and remain, engaged in a world war that takes place (not exclusively, but intensively) on the level of popular culture. The action/reaction dynamic, confrontational narratives and othering between the two “camps” never ceased. The Cold War, in many ways and contrary to the views of many others who hoped for the end of history, never really ended.
Azerbaijan, a small post-Soviet republic located on the western shore of the Caspian Sea, has outsized importance becaus of its strategic location at the corssroads of Europe and Asia, its oil resources, and