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The Letters of Emily Dickinson
Approximately 100 letters are published here for the first time, including almost all of the letters to Jane Humphrey and to Mrs. J. Howard Sweetser. The new material is even more extensive than it might appear, for many of the letters previously published were censored when first made public. This three-volume set, designed to accompany Mr. Johnson's previously published work, the widely acclaimed Poems of Emily Dickinson, assembles all of Emily Dickinson's letters (with the exception of letters presumably destroyed). The editors present the letters chronologically, with manuscript location, previous publication data, and notes for each letter, together with a general introduction, and biog...
The Lyric in the Age of the Brain
Science has transformed understandings of the mind, supplying physiological explanations for what once seemed transcendental. Nikki Skillman shows how lyric poets—caught between a reductive scientific view and naïve literary metaphors—struggled to articulate a vision of consciousness that was both scientifically informed and poetically truthful.
Catalog of Copyright Entries. New Series
Includes Part 1, Books, Group 1, Nos. 1-12 (1942)
Emily Dickinson and the Religious Imagination
Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry - the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ. Linda Freedman situates the poet within the context of American typology, interprets her alongside contemporary and modern theology and makes important connections to Shakespeare and the British Romantics. Dickinson emerges as a deeply troubled thinker who needs to be understood within both religious and Romantic traditions.
