You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A fully illustrated examination of the use of color in clay, outlining its history and exploring the styles and techniques of the leading modern makers. Mix two or more colors of clay as part of a piece's design, and you are creating nerikomi. There are many techniques – stacking, stretching, slicing – but with nerikomi, the decoration is built and fired into the work's very fabric, rather than glazing it later. This beautifully illustrated introduction by accomplished nerikomi specialist Thomas Hoadley includes: – A brief history of the origins and international styles of colored clay – A section dedicated to the most honored Japanese Masters of nerikomi – Stunning examples of work from the world's leading experts – Step-by-step examples of many of the techniques employed Whether you simply enjoy the beauty of multicolored clay, or are seeking inspiration, this essential volume contains everything you need to embark on your own nerikomi projects.
The federal census of Vermont for 1800 was never published by the government. It survived in the form of the original enumerators' sheets until 1938, when the Vermont Historical Society published it for the first time. Since the 1790 census showed Vermont's population to be 85,000 and the 1800 census indicated that it had grown to 154,396, the value of this later census to the genealogist is obvious. The records in this publication are grouped under the counties of Addison, Bennington, Caledonia, Chittenden, Essex, Franklin, Orange, Rutland, Windham, and Windsor, and thereunder by towns. Names of the heads of households are given in full and for each there is given, in tabular form, the number of free white males and females, by five age groups, and the number of other associated persons except untaxed Indians. Altogether over 25,000 families are listed. Includes a map of the state in 1796.
During the 1960s in the heartlands of America—a region of farmland, conservative politics, and traditional family values—students at Indiana University were transformed by their realization that the personal was the political. Taking to the streets, they made their voices heard on issues from local matters, such as dorm curfews and self-governance, to national issues of racism, sexism, and the Vietnam War. In this grassroots view of student activism, Mary Ann Wynkoop documents how students became antiwar protestors, civil rights activists, members of the counterculture, and feminists who shaped a protest movement that changed the heart of Middle America and redefined higher education, po...