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The Last Confession of Thomas Hawkins
A lively tale of “pitch-perfect suspense” set in eighteenth-century England—one of Publishers Weekly’s Top Ten Crime/Mystery Novels of the Year. Winner of the CWA Historical Dagger Award London, 1728. Tom Hawkins is headed to the gallows, accused of murder. Gentlemen don’t hang, and Tom will be damned if he’s the first—he is innocent, after all. It’s hard to say when Tom’s troubles began. He was happily living in sin with his beloved—though their neighbors weren’t happy about that. He probably shouldn’t have told London’s great criminal mastermind that he was in need of adventure. Nor should he have joined the king’s mistress in her fight against her vindictive husband. And he definitely shouldn’t have trusted the calculating Queen Caroline. She’s promised him a royal pardon if he holds his tongue, but there’s nothing more silent than a hanged man. Now Tom’s scrambling to save his life and protect those he loves. But as the noose tightens, his time is running out.
The Devil in the Marshalsea
The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.
A Death at Fountains Abbey
'In a tale that more than matches its predecessors for pace and atmosphere, Hawkins is forced into confrontation with a psychopathic killer...hugely enjoyable' The Sunday Times 'You will burn.' Late spring, 1728. Fresh from his escape from the gallows, Thomas Hawkins has arrived in Yorkshire with his ward, Sam Fleet. But death still has a hand upon his shoulder, even in such idyllic surroundings. John Aislabie, Tom's reluctant host, is being tormented by anonymous letters threatening murder. A disgraced politician, Aislabie certainly has plenty of enemies. But, trapped in a house haunted by old tragedies, Tom begins to suspect that the danger lies much closer to home. Someone is playing a subtle and deadly game of revenge, years in the planning. And now Tom is standing in their way...
The Silver Collar
SHORTLISTED FOR THE HWA GOLD CROWN 'A triumph . . . leaves the reader hungry for more' Andrew Taylor Autumn, 1728. Life is good for Thomas Hawkins and Kitty Sparks in their home above the Cocked Pistol, Kitty's wickedly disreputable bookshop. But when Tom is attacked by a street gang, he discovers there's a price on his head. Who wants him dead - and why? For Tom and Kitty, the answer is only the beginning of the nightmare. Powerful, deeply immersive, The Silver Collar is both a celebration of love and friendship, and a terrifying exploration of evil. 'One of the best crime series out there . . . a dark and addictive story of slavery and long-hidden secrets' i-News 'The wonderful Thomas Hawkins crime novels . . . [Fans] are in for a treat - gripping' The Times 'Beautifully written and packed with atmosphere, wit, and historical details. I didn't want it to end' Daily Mirror 'Antonia Hodgson is right up in the first division of historical crime' Amanda Craig
Memoir of the REV. Francis Hodgson
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
