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Foreign Accents
'Foregin Accents' is formed of two parts: the first one offers analyses of translations/interpretations/appropriations of plays and sonnets in different processes of transmutation. The second comprises texts that deal with more general critical readings. Shakespeare is viewed in the light of gender studies, of postmodernism, and of comparative studies.
No Womans Land? Womens Writings and Historical Representation in World War I
Women's participation in wars, either directly or indirectly, has been the study object of war narratives since the Classical Age. This book aims to analyze women's significant role to the construction of cultural memory and how women's representations have evolved, from myth, since Homer until the early twentieth century, when the First War was declared, to the assumption of "silent victims" in wartime, and, finally, to the condition of proactive members of a much-dreamed society with equal opportunities for everyone. This book also addresses, more specifically, how women war narratives of the First World War reflect upon the war trauma, which brought equally disastrous consequences for women, men and children and how the War contributed to the reconfiguration of women's social roles.
The Short-Short Story
This book proposes a study of a new postmodern prose fiction genre, the short-short story. Considerations of generic classifications and boundaries are followed by an historical overview and analysis of short fiction from the nineteenth to twenty-first centuries, especially under the influence of the Russian Anton Chekhov, who is regarded as the father of the modern short story. The postmodern short-short story is seen as emerging from this trend, a hybrid genre with characteristics of the narrative language of her prose genres such as the short story and the journalistic writing. The cluster of features, such as condensation, lack of character development, surprise endings, etc., which is seen as characteristic of the short-short story, are discussed, and ten examples are summarized and analyzed, including two traditional short stories for contrast. It is seen that the short-short story may be further broken into what is called “the new sudden fiction” and the even shorter and more radical “flash fiction.”
The Saga of a Shy Fellow
Joman, the shy fellow, is both a victim and beneficiary of life's circumstances. The reasons for his becoming a painfully shy child begin even before he is born. The overindulgent tolerance of his father, a Portuguese immigrant, and the excessive repression of his mother, a Brazilian, create an ambiguous family environment that represses the child's outgoing nature. As a result of his crippling shyness, he experiences a great deal of suffering throughout his childhood, adolescence, and into early adulthood. After getting involved in the diamond business, Joman manages to achieve a relative stability in his own family life. However, the sudden appearance of a life-threatening disease threatens to cut him down in his prime. In his last year of life, he finally decides to overcome his shyness and savor the taste of real freedom. Opening himself up to life, he braves numerous challenges, has several close brushes with death, and even enjoys a few serendipitous moments, such as the discovery of a 59- carats diamond at a prospecting site. Other unexpected events give Joman's life a completely new sense of direction and contribute to a profound personal transformation.
Macbeth
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This second edition of Macbeth provides a thorough reconsideration of one of Shakespeare's most popular plays. In his introduction, A. R. Braunmuller explores Macbeth's immediate theatrical and political contexts, particularly the Gunpowder Plot, and addresses such celebrated questions as: do the Witches compel Macbeth to murder; is Lady Macbeth herself in some sense a witch; is Macduff morally culpable? A new and well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, as well as other dramatic adaptations. Several possible new sources are suggested and the presence of Thomas Middleton's writing in the play is also proposed.
Index of American Periodical Verse 1983
The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews.
