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Like all poets, inspired by death, Lynch is, unlike others, also hired to bury the dead or cremate them and to tend to their families in a small Michigan town where he serves as the funeral director. In the conduct of these duties he has kept his eyes open, his ears tuned to the indispensable vernaculars of love and grief. In these twelve essays is the voice of both witness and functionary. Lynch stands between 'the living and the living who have dies' with the same outrage and amazement, straining for the same glimpse we all get of what mortality means to a vital species. So here is homage to parents who have died and to children who shouldn't have. Here are golfers tripping over grave-markers, gourmands and hypochondriacs, lovers and suicides. These are essays of rare elegance and grace, full of fierce compassion and rich in humour and humanity - lessons taught to the living by the dead.
The facts of life and death remain the same. We live and die, we love and grieve, we breed and disappear. And between these existential gravities, we search for meaning, save our memories, leave a record for those who will remember us.'So writes Thomas Lynch in Bodies in Motion and at Rest - the second collection of essays by the award-winning author of The Undertaking.As poet and funeral director, Lynch examines the relations between the literary and the mortuary arts - the connection between obsequies and prosodies; the effort to give voice to unspeakable things: great love, great heartbreak, great wonder, great pain; how icons, metaphors and ritualised speech are engaged in poems and in funerals.The essays assembled here explore a species at the intersection of millennia, beleaguered by choices and changes, encumbered by merger and acquisition, numbed by maths and technologies, in search of the meaning of Life and Time, our lives and times. In an age that seeks to define human experience in retail, high-tech or pop-psyche terms, these wise, exquisite essays explore the distance between birth and death, the condition of the human being and the state of ceasing to be.
Based on over twenty years of research, radically open dialectical behavior therapy (RO DBT) is a breakthrough, transdiagnostic approach for helping people suffering from extremely difficult-to-treat emotional overcontrol (OC) disorders, such as anorexia nervosa, obsessive-compulsive disorder (OCD), and treatment-resistant depression. Written by the founder of RO DBT, Thomas Lynch, this comprehensive volume outlines the core theories of RO DBT, and provides a framework for implementing RO DBT in individual therapy. While traditional dialectical behavioral therapy (DBT) has shown tremendous success in treating people with emotion dysregulation, there have been few resources available for trea...
A selection of the very best from one of America's most thought-provoking writers: poems on life, faith, doubt, and death that read like memoir, essay, and story. As The New York Times said, "likely to resonate with many who have come face to face with life's most important questions." Thomas Lynch--like Wallace Stevens and William Carlos Williams--is a poet who writes about real things with language rooted in the everyday yet masterfully infused with power: I have steady work, a circle of friends and lunch on Thursdays with the Rotary. I have a wife, unspeakably beautiful, a daughter and three sons, a cat, a car, good credit, taxes, and mortgage payments and certain duties here. Notably, wh...
"Before long I began to understand that showing up, being there, helping in an otherwise helpless situation was made heroic by the same gravity I had sensed when I first stood in that embalming room as a boythe presence of the dead made the presence of the living more meaningful somehow, as if it involved a basic and intuitively human duty to witness." from Chapter 1, "How We Come to Be the Ones We Are" Two of the most authoritative voices on the funeral industry come together here in one volume to discuss the current state of the funeral. Through their different lensesone as a preacher and one as a funeral directorThomas G. Long and Thomas Lynch alternately discuss several challenge...
Foreword by Alan Ball “Elegant, respectful and refreshingly funny.” —New York Times Book Review, Editors’ Choice For nearly four decades, poet, essayist, and small-town funeral director Thomas Lynch has probed relations between the literary and mortuary arts with a signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions offers a wry and compassionate selection from Lynch’s four previous collections of nonfiction, along with new essays shaped by the press of the author’s own mortality.
"A good read even for those who have not the least ancestral or national bias—for those who desire civilized entertainment along with brilliant narrative." —Seattle Times In thirty-five years and dozens of return trips to Ireland, Thomas Lynch has found a template for the larger world inside the small one, the planet in the local parish. Part memoir, part cultural study, Booking Passage is a brilliant, often comedic guidebook for those "fellow travelers, fellow pilgrims" making their way through the complexities of their own lives and times.
The poems in Grimalkin - Thomas Lynch's first publication in Britain are all concerned, in one way or another, with achieving a balance in the face of gravity. In each poem, Lynch is looking for this equilibrium between equal and opposing forces: the gravities of sex and death, love and grief - all the things that make us breathless and horizontal, mortal and memorable. By means of a wry, mordant wit, telling observation and glorious poise, we are shown the strong tensions that make us human: the forces in our nature that create, replicate, restore, renew us; and those that kill us, constrict our lives, silence us. From spirited invective to meditations on morality, from lyrics of love and desire to a corrosive flyting to his ex-wife, these poems explore an extraordinary emotional range and technical facility but, more importantly, they reveal a compassionate, wise, and genial humanity.
“Light in tone, [these poems] are at their core deadly serious. . . . They celebrate life, love, death, and literature.”—Library Journal “A pilgrimage of sorts through growing old and facing death—subjects that caregivers know all too well. [Lynch’s] upfront, unvarnished style is likely to resonate with many who have come face to face with life’s most important questions.”—Mary Plummer, New York Times
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