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Peggy Guggenheim Collection
Essay by Philip Rylands.
Art of this Century
Preface and Acknowledgments / Thomas Krens -- The Genesis of a Museum: A History of the Guggenheim / Thomas Krens -- Frank Lloyd Wright and the Solomon R. Guggenheim Museum / Bruce Brooks Pfeiffer -- Paintings of Modern Life and Modern Myths: Late-Nineteenth- and Early Twentieth-Century Representations of Gender, Class, and Race in the Thannhauser Collection / Andrea Feeser -- 1912 / Lisa Dennison -- Technology and the Spirit: The Invention of Non-Objective Art / Michael Govan -- Peggy's Surreal Playground / Jennifer Blessing -- Art of This Century and the New York School / Diane Waldman -- Against the Grain: A History of Contemporary Art at the Guggenheim / Nancy Spector -- The Institution as Frame: Installations at the Guggenheim / Clare Bell.
Consuming Pleasures
How is it that American intellectuals, who had for 150 years worried about the deleterious effects of affluence, more recently began to emphasize pleasure, playfulness, and symbolic exchange as the essence of a vibrant consumer culture? The New York intellectuals of the 1930s rejected any serious or analytical discussion, let alone appreciation, of popular culture, which they viewed as morally questionable. Beginning in the 1950s, however, new perspectives emerged outside and within the United States that challenged this dominant thinking. Consuming Pleasures reveals how a group of writers shifted attention from condemnation to critical appreciation, critiqued cultural hierarchies and morali...
The Contingent Object of Contemporary Art
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship r...
Six Years
In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents—including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists—a historical survey and essential reference book for the period.
Robert Mapplethorpe
Celebrated photographer Robert Mapplethorpe challenged the limits of censorship and conformity, combining technical and formal mastery with unexpected, often provocative content that secured his place in history. Mapplethorpe’s artistic vision helped shape the social and cultural fabric of the 1970s and ’80s and, following his death in 1989 from AIDS, informed the political landscape of the 1990s. His photographic works continue to resonate with audiences all over the world. Throughout his career, Mapplethorpe preserved studio files and art from every period and vein of his production, including student work, jewelry, sculptures, and commercial assignments. The resulting archive is fascinating and astonishing. With over 400 illustrations, this volume surveys a virtually unknown resource that sheds new light on the artist’s motivations, connections, business acumen, and talent as a curator and collector.
Mortality Immortality?
Artists, collectors, and art professionals discuss the nature and conservation of contemporary art.
Theories and Documents of Contemporary Art
An essential text in the field of contemporary art history, it has now been updated to represent 30 countries and over 100 new artists. The internationalism evident in this revised edition reflects the growing interest in contemporary art throughout the world from the U.S. and Europe to the Middle East, Asia, Africa, Latin America, and Australia.
