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The Last Good Man
Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning. In his cousin's town, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. They sit in the shadow of a vast wall, inscribed with strange messages. Out here, the people live an honest life - and if there's any trouble, they have a way to settle it. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might compromise the community. Nothing happens if there's only one allegation. Or two. But any more than that, and there has to be a reckoning. Don't try running. The moors are a dangerous place, boggy and treacherous; a wrong foot can see you sunk. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for? What power do sentences have to bind us to our deeds? And what power do names have to anchor the world when extinction is in the air?
The Last Good Man
Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning. In his cousin's town, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. They sit in the shadow of a vast wall, inscribed with strange messages. Out here, the people live an honest life - and if there's any trouble, they have a way to settle it. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might compromise the community. Nothing happens if there's only one allegation. Or two. But any more than that, and there has to be a reckoning. Don't try running. The moors are a dangerous place, boggy and treacherous; a wrong foot can see you sunk. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask, who speaks, and who do they speak for? What power do sentences have to bind us to our deeds? And what power do names have to anchor the world when extinction is in the air?
The Last Good Man
'A Scarlet Letter for our times' MARGARET ATWOOD 'An extraordinary and disquieting work of imagination, and as original as any novel I've read in recent memory' ROB DOYLE Duncan Peck has travelled alone to Dartmoor in search of his cousin. He has come from the city, where the fires are always burning. In his cousin's village, Peck finds a place with tea rooms and barley fields, a church and a schoolhouse. Out here, the people live an honest life – and if there's any trouble, they have a way to settle it. They sit in the shadow of a vast wall, inscribed with strange messages. Anyone can write on the wall, anonymously, about their neighbours, about any wrongdoing that might hurt the community. Then comes the reckoning. The stranger from the city causes a stir. He has not been there long before the village wakes up to the most unspeakable accusation; sentences daubed on the wall that will detonate the darkest of secrets. A troubling, uncanny book about fear and atonement, responsibility and justice, and the violence of writing in public spaces, The Last Good Man dares to ask: what hope can we place in words once extinction is in the air?
Field Guide to the Birds of Colombia
A pocket-sized comprehensive field-guide for the neotropical avifaunas. It features texts, maps and illustrations for various birds recorded in Colombia, including offshore islands. Every species is illustrated and various non-pelagic species are mapped.
Creativity and Entrepreneurial Performance
The essential problem in entrepreneurship is improving the performance of entrepreneurs. The most important theories will be the ones that most enable us to predict and then ultimately influence entrepreneurial performance. This book develops a new and more accurate theory of entrepreneurial performance based in entrepreneurial creativity. The field of entrepreneurship has a long tradition of expecting entrepreneurial performance to be influenced by creativity, tracing back even before the pioneering work of Joseph Schumpeter (1883 to 1950), who defined entrepreneurship as creative-destruction—creating the new by supplanting or destroying the old. Subsequently, psychologist Robert Sternber...
The Timeless Swing
Tom Watson's stunning performance in the 2009 British Open was the story of the year in golf - if not in all sports. Nearing his 60th birthday, he led the world's oldest major championship with one hole to play and came within an unlucky bounce of winning his sixth Open championship, losing in a playoff. Known at the highest levels of the game as a shotmaker's shotmaker, a master of any shot under any conditions, and the finest foul-weather golfer of all time, Watson relied on a swing that has lasted as an unmatched model of good mechanics, rhythm and repeatability. Jack Nicklaus and other peers believe Watson is swinging better today than when he was a dominant player on the regular PGA Tou...
Ambient Literature
This book considers how a combination of place-based writing and location responsive technologies produce new kinds of literary experiences. Building on the work done in the Ambient Literature Project (2016–2018), this books argues that these encounters constitute new literary forms, in which the authored text lies at the heart of an embodied and mediated experience. The visual, sonic, social and historic resources of place become the elements of a live and emergent mise-en-scène. Specific techniques of narration, including hallucination, memory, history, place based writing, and drama, as well as reworking of traditional storytelling forms combine with the work of app and user experience...
Us Boys in Portaferry
Us Boys In Portaferry tells the story of three boys growing up there in the 1960s. Portaferry was once a thriving fishing port with a number of boat-building yards, a rope-works, a brewery and thirty three pubs. It was now past its heyday with only thirteen pubs but it was the best place in the world for young boys growing up.There was the shore, the beaches, the park, the football field, the castle, the demesne, the cinema, visiting circuses, regattas, sports days, the ferry boat and more. And it was an era where children were free to explore this great adventure playground from morning to night.The history of Portaferry is interwoven with tales of the boys generally up to no good but up to nothing terribly bad by the standards of the day. Escapades include, raiding the headmaster's orchard, poaching pheasants, starting fires, making wine, gathering spuds and planning to rob the bank.It is a story of a magical time and place, a carefree , unsupervised childhood, unknown to the present generation and fast becoming history in itself.
I Stink!
Know what I do at night while you're asleep? Eat your trash, that's what! With ten wide tires, one really big appetite, and an even bigger smell, this truck's got it all. His job? Eating your garbage and loving every stinky second of it! And you thought nighttime was just for sleeping.
Trailblazer
'Urgent and compelling' Richard Branson 'The gold standard on how to use business as a platform for change' Ray Dalio For too long, many have felt that business focuses too much on profit and not enough on its responsibilities, but now in Trailblazer, Innovator of the Decade Marc Benioff shows how all of that can change - for the better. When Salesforce chairman and CEO Benioff called for more regulation on the tech industry during the Davos World Economic Forum, and followed it up by saying Facebook should be regulated in 'the same way you regulated the cigarette industry', he found himself at the centre of a storm. This was not what people expected to hear from a hugely successful tech ent...
