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Twenty-one essays examining the relationship of surrealist thought to architectural theory and practice.
Twenty-one essays examining the relationship of surrealist thought to architectural theory and practice.
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century, addressing the relation between the aesthetic...
The history of modern architecture as constructed by historians and key texts. Writing, according to Panayotis Tournikiotis, has always exerted a powerful influence on architecture. Indeed, the study of modern architecture cannot be separated from a fascination with the texts that have tried to explain the idea of a new architecture in a new society. During the last forty years, the question of the relationship of architecture to its history—of buildings to books—has been one of the most important themes in debates about the course of modern architecture. Tournikiotis argues that the history of modern architecture tends to be written from the present, projecting back onto the past our cu...
This book presents the rise and decline of the meta-concept of transparency in architectural theory and practice, from modernity to hypermodernity. It investigates the complex relations around the see-through aesthetic, and the role of unseen and invisible structures for staging transparency as the dominant optics of modernity. It also examines diverse theories and tactics regarding transparency, and tests the concept in a range of works, both built and written. As such, the book introduces readers to new perspectives on space, and to processes for understanding and designing architecture, informed by media-philosophy.
To escape the Irish potato famine of the 1840s, twelve-year-old Annie and her brother immigrate to New York City where they join their older sister as servants, earning money to bring the rest of their family to America, where they discover that both food and hardships abound.
The sausage is one of mankind's first-ever designed food items. A paragon of efficient butchery, it was originally conceived to make the most of animal protein in times of scarcity. Now, in these times when protein is once again in short supply, a molecular chef, a master butcher, and a designer have teamed up to reinvent the sausage, ready for the challenges of the future.
"This multi-disciplinary and cross-generational project explores the central importance of the house within surrealism and its legacies. It brings the first surrealists together with contemporary artists, film-makers and architects. Through a strategy of accumulation and poetic contamination, each informs the other."--Back cover.
A unique collection of contemporary writings, this book explores the politics involved in the making and experiencing of architecture and cities from a cross-cultural and global perspective Taking a broad view of the word ‘politics’, the essays address a range of questions, including: What is the relationship between politics and the making of space? What role has theory played in reinforcing or resisting political power? What are the political difficulties associated with working relationships? Do the products of our making construct our identity or liberate us? A timely volume, focusing on an interdisciplinary debate on the politics of making, this is valuable reading for all students, professionals and academics interested or working in architectural theory.