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The Perfect Crime
When 21 shots from a semi-automatic pistol rang out across the Alpine woodland high above Lake Annecy, there was nobody nearby to raise the alarm. In a car, in a lay-by off the single-land track above, were the bloodied bodies of British computer engineer, Saad al-Hilli, his dentist wife, Iqbal, and her mother, Suhaila. Nearby, on the road, lay the corpse of French cyclist, Sylvain Mollier, punctured by seven shots from the same gun. Saad's eldest daughter, Zainab, seven, had been shot, pistol-whipped and left for dead. Cowering underneath her mum Iqbal's skirt in the back seat of the car was Zainab's little sister Zeena - the only one of the six people there left unharmed. Was this a professional assassin's error, or a humane gesture by someone who knew the girls? Two years on from this most implausible crime, French police remain baffled. This book explores the background of the case.
Historic Notices
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The Law Reports
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An Imperishable Heritage: British Choral Music from Parry to Dyson
The rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
