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As 'visual animals' architects continue to live and work in a pictorial age in which image-making remains the central activity of environmental design. Selling Architectural Ideas explores the promotional role of architectural graphics and drawing at the point of communication, i.e. at their point of sale. By substituting the words 'communication' and 'presentation' with the word 'selling' we confront the reality of a highly competitive world in which the process of creating images for selling architectural ideas is approached as a more persuasive and, therefore, more successful design tool.
Genealogy of the settlers of New England.
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).
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"Based on the Invalid Lists of 1806 and the Pension Lists of 1818, 1832 and 1840, this book supplies--in addition to name, age, service, residence, and source of information--the date of the pension application; date and place of birth; service record; names of all family members cited in the pension statement; and place or places of migration to, from, or within Tennessee. The 1840 Pension List is especially interesting to researchers as it includes widows' applications. Widows were required to submit proof of marriage and children, and their applications, therefore, constitute a rich vein of genealogical source material."--Amazon.
Offering an interpretation of the Revolutionary period that places women at the center, Joan R. Gundersen provides a synthesis of the scholarship on women's experiences during the era as well as a nuanced understanding that moves beyond a view of the war as either a "golden age" or a disaster for women. Gundersen argues that women's lives varied greatly depending on race and class, but all women had to work within shifting parameters that enabled opportunities for some while constraining opportunities for others. Three generations of women in three households personalize these changes: Elizabeth Dutoy Porter, member of the small-planter class whose Virginia household included an African American enslaved woman named Peg; Deborah Franklin, common-law wife of the prosperous revolutionary, Benjamin; and Margaret Brant, matriarch of a prominent Mohawk family who sided with the British during the war. This edition incorporates substantial revisions in the text and the notes to take into account the scholarship that has appeared since the book's original publication in 1996.
Focusing on the refreshing process of design with which Will Alsop engages, Tom Porter reveals and traces the process, from public consultation to the privacy of Alsop’s painting studio, from paint to line to model, and in doing so uncovers a treasure trove of ideas for transforming the process of architectural design.
This collection of essays by noted philosopher Samuel Scheffler combines discussion of abstract questions in moral and political theory with attention to the normative dimension of current social and political controversies. In addition to chapters on more abstract issues such as the nature of human valuing, the role of partiality in ethics, and the significance of the distinction between doing and allowing, the volume also includes essays on immigration, terrorism, toleration, political equality, and the normative significance of tradition. Uniting the essays is a shared preoccupation with questions about human value and values. The volume opens with an essay that considers the general ques...