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Imagine the twentieth century without photography and film. Its history would be absent of images that defined historical moments and generations. Today such a history feels insubstantial and imprecise, even unscientific. And yet photographic technology was not always a necessary precondition for the accurate documentation of history. The documentary impulse that emerged in the late nineteenth century combined the power of science and industry with a particularly utopian (and often imperialistic) belief in the capacity of photography and film to capture the world visually, order it, and render it useful for future generations. This book is about the material and social life of photographs an...
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Describes the history of the Great Exhibition including how it was set up and preceding exhibitions of manufactures, in particular the Exhibition of Manufactures, Birmingham 1849 and the Paris Exposition of 1849. Matthew Digby Wyatt's "A report of the eleventh French Exposition of the products of industry" is extensively quoted on p.33-56; the work of the Royal Society of Arts and the Royal Commission on the Exhibition of 1851 is highlighted; the names of many individuals involved in the planning are given and some are quoted; other subjects discussed include the exhibits, the building, prizes, the official catalogue and admission charges.
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This book constitutes the thoroughly refereed postproceedings of the 5th Workshop of the Cross-Language Evaluation Forum, CLEF 2004, held in Bath, UK in September 2004. The 80 revised papers presented together with an introduction were carefully reviewed and selected for inclusion in the book. The papers are organized in topical sections on ad hoc text retrieval tracks (mainly cross-language experiments and monolingual experiments), domain-specific document retrieval, interactive cross-language information retrieval, multiple language question answering, cross-language retrieval in image collections, cross-language spoken document retrieval, and on issues in CLIR and in evaluation.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Explores the tremendous discoveries historical archaeologists have made about English life in the Americas during the seventeenth century.