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Rhetorical Criticism
Covering a broad range of rhetorical perspectives, Rhetorical Criticism: Perspectives in Action, third edition presents a well-grounded introduction to the basics of rhetorical criticism and theory in an accessible manner for advanced undergraduate courses and introductory graduate courses. Throughout the text, sample essays written by noted experts in the field provide students with models for writing their own criticisms. In addition to covering traditional modes of rhetorical criticism, the book introduces less commonly discussed rhetorical perspectives as well as orientations toward performing criticisms including close-textual analysis, critical approaches, and analysis of visual and digital rhetoric. The third edition includes the following features: New chapters on visual rhetoric and digital rhetoric Potentials and Pitfalls sections analyzing individual perspectives Activities and discussion questions in each chapter Glossary of important terms
The Terministic Screen
The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Rhetorical approaches to film studies have been widely practiced, but rarely discussed until now. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric’s role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams,and A Time to Kill. Aided by sixteen illustrations, these insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification. Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.
Friendlyvision
Fred Friendly (1915-1998) was the single most important personality in news and public affairs programming during the first four decades of American television. Portrayed by George Clooney in the film Good Night and Good Luck, Friendly, together with Edward R. Murrow, invented the television documentary format and subsequently oversaw the birth of public television. Ralph Engelman's biography is the first comprehensive account of Friendly's life and work. Juggling the roles of producer, policy maker, and teacher, Friendly had an unprecedented impact on the development of CBS in its heyday, wielded extensive influence at the Ford Foundation under the presidency of McGeorge Bundy, and trained a generation of journalists at Columbia University during a tumultuous period of student revolt. Drawing on private papers and interviews with colleagues, family members, and friends, Friendlyvision is the definitive story of broadcast journalism's infamous "wild man," providing crucial perspective on the past and future of American journalism.
Inside the Teaching Machine
Inside the Teaching Machine argues that the U.S. public research university has always been a vital component of the capitalist political economy. Advocates of higher education have long contended that universities should operate above the crude material negotiations of economics and politics. Such arguments often ignore the historical reality that the American university system emerged through, and in service to, a capitalist political economy.
Reinventing the Male Homosexual
Reinventing the Male Homosexual: The Rhetoric and Power of the Gay Gene examines the assumption that embracing the biological research on homosexuality is a viable political strategy for the gay rights movement. The biological argument for gay rights is treated as a "bio-rhetoric," a means of incorporating scientific research into public debates. The book investigates the biological research on which this gay rights argument is based, and explores how male homosexuality is conceptualized in the fields of behavioral genetics, neuroendocrinology, sociobiology, and evolutionary psychology. Robert Alan Brookey demonstrates that most biological research begins with the assumption that male homosexuality is a state of physical effeminate pathology. Although biological research may seem to support a pro-gay rights agenda, the same research can actually be used to support conservative political interests.
Who Killed Shakespeare
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Spaceflight in the Shuttle Era and Beyond
An exploration of the changing conceptions of the iconic Space Shuttle and a call for a new vision of spaceflight The thirty years of Space Shuttle flights saw contrary changes in American visions of space. Valerie Neal, who has spent much of her career examining the Space Shuttle program, uses this iconic vehicle to question over four decades' worth of thinking about, and struggling with, the meaning of human spaceflight. She examines the ideas, images, and icons that emerged as NASA, Congress, journalists, and others sought to communicate rationales for, or critiques of, the Space Shuttle missions. At times concurrently, the Space Shuttle was billed as delivery truck and orbiting science lab, near-Earth station and space explorer, costly disaster and pinnacle of engineering success. The book's multidisciplinary approach reveals these competing depictions to examine the meaning of the spaceflight enterprise. Given the end of the Space Shuttle flights in 2011, Neal makes an appeal to reframe spaceflight once again to propel humanity forward.
Reception Study
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Alternative Rhetorics
Challenges the traditional rhetorical canon.
Visual Rhetoric
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in th...
