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After the Fall
Noemi Marin analyzes famous writers from the area as critical intellectuals and exiles in order to explore the role of rhetoric and identity in writers' own experiences during the long history of communism. Along with examinations of discursive relationships among power, culture and resistance in works by George Konrad, Andrei Codrescu, and Siavenka Drakulic before and after the fall of communism, Marin proposes specific dimensions for a rhetoric of exile pertinent to communist Eastern and Central Europe. After the Fall shows how critical works on identity, culture, and communist history by the writers studied aid in reconstituting a rhetoric of dissidence, identity, and legitimation in the public discourse of a changing Europe. The book offers a unique perspective on the complex contexts of political transition, in which competing public discourse on freedom and democracy intersect with totalitarian regimes, unsettled societies, and issues of resistance.
The Terministic Screen
The Terministic Screen: Rhetorical Perspectives on Film examines the importance of rhetoric in the study of film and film theory. Rhetorical approaches to film studies have been widely practiced, but rarely discussed until now. Taking on such issues as Hollywood blacklisting, fascistic aesthetics, and postmodern dialogics, editor David Blakesley presents fifteen critical essays that examine rhetoric’s role in such popular films as The Fifth Element, The Last Temptation of Christ, The Usual Suspects, Deliverance, The English Patient, Pulp Fiction, The Music Man, Copycat, Hoop Dreams,and A Time to Kill. Aided by sixteen illustrations, these insightful essays consider films rhetorically, as ways of seeing and not seeing, as acts that dramatize how people use language and images to tell stories and foster identification. Contributors include David Blakesley, Alan Nadel, Ann Chisholm, Martin J. Medhurst, Byron Hawk, Ekaterina V. Haskins, James Roberts, Thomas W. Benson, Philip L. Simpson, Davis W. Houck, Caroline J.S. Picart, Friedemann Weidauer, Bruce Krajewski, Harriet Malinowitz, Granetta L. Richardson, and Kelly Ritter.
Friendlyvision
Fred Friendly (1915-1998) was the single most important personality in news and public affairs programming during the first four decades of American television. Portrayed by George Clooney in the film Good Night and Good Luck, Friendly, together with Edward R. Murrow, invented the television documentary format and subsequently oversaw the birth of public television. Ralph Engelman's biography is the first comprehensive account of Friendly's life and work. Juggling the roles of producer, policy maker, and teacher, Friendly had an unprecedented impact on the development of CBS in its heyday, wielded extensive influence at the Ford Foundation under the presidency of McGeorge Bundy, and trained a generation of journalists at Columbia University during a tumultuous period of student revolt. Drawing on private papers and interviews with colleagues, family members, and friends, Friendlyvision is the definitive story of broadcast journalism's infamous "wild man," providing crucial perspective on the past and future of American journalism.
Reinventing the Male Homosexual
Reinventing the Male Homosexual: The Rhetoric and Power of the Gay Gene examines the assumption that embracing the biological research on homosexuality is a viable political strategy for the gay rights movement. The biological argument for gay rights is treated as a "bio-rhetoric," a means of incorporating scientific research into public debates. The book investigates the biological research on which this gay rights argument is based, and explores how male homosexuality is conceptualized in the fields of behavioral genetics, neuroendocrinology, sociobiology, and evolutionary psychology. Robert Alan Brookey demonstrates that most biological research begins with the assumption that male homosexuality is a state of physical effeminate pathology. Although biological research may seem to support a pro-gay rights agenda, the same research can actually be used to support conservative political interests.
Who Killed Shakespeare
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Spaceflight in the Shuttle Era and Beyond
An exploration of the changing conceptions of the iconic Space Shuttle and a call for a new vision of spaceflight The thirty years of Space Shuttle flights saw contrary changes in American visions of space. Valerie Neal, who has spent much of her career examining the Space Shuttle program, uses this iconic vehicle to question over four decades' worth of thinking about, and struggling with, the meaning of human spaceflight. She examines the ideas, images, and icons that emerged as NASA, Congress, journalists, and others sought to communicate rationales for, or critiques of, the Space Shuttle missions. At times concurrently, the Space Shuttle was billed as delivery truck and orbiting science lab, near-Earth station and space explorer, costly disaster and pinnacle of engineering success. The book's multidisciplinary approach reveals these competing depictions to examine the meaning of the spaceflight enterprise. Given the end of the Space Shuttle flights in 2011, Neal makes an appeal to reframe spaceflight once again to propel humanity forward.
Reception Study
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Alternative Rhetorics
Challenges the traditional rhetorical canon.
Visual Rhetoric
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in th...
Reception Histories
In his earlier Rhetorical Power, Steven Mailloux presented an innovative and challenging strategy for combining critical theory and cultural studies. That book has stimulated wide-ranging discussion and debate among diverse audiences—students and specialists in American studies, speech communications, rhetoric/composition, law, education, biblical studies, and especially literary theory and cultural criticism. Reception Histories marks a further development of Mailloux's influential critical project, as he demonstrates how rhetorical hermeneutics uses rhetoric to practice theory by doing history. Reception Histories works out in detail what rhetorical hermeneutics means in terms of poststr...
