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The Critical Works of Thomas Rymer
  • Language: en
  • Pages: 364

The Critical Works of Thomas Rymer

  • Type: Book
  • -
  • Published: 1971
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  • Publisher: Unknown

None

Appendices to a Report on Thomas Rymer's Fœdera
  • Language: en
  • Pages: 536

Appendices to a Report on Thomas Rymer's Fœdera

  • Type: Book
  • -
  • Published: 1837
  • -
  • Publisher: Unknown

None

A Short View of Tragedy, 1693
  • Language: en
  • Pages: 222

A Short View of Tragedy, 1693

  • Type: Book
  • -
  • Published: 1693
  • -
  • Publisher: Unknown

None

French Influence on Thomas Rymer's Dramatic Criticism
  • Language: en
  • Pages: 1058

French Influence on Thomas Rymer's Dramatic Criticism

  • Type: Book
  • -
  • Published: 1953
  • -
  • Publisher: Unknown

None

Tragic Theory in the Critical Works of Thomas Rymer, John Dennis, and John Dryden
  • Language: en
  • Pages: 156

Tragic Theory in the Critical Works of Thomas Rymer, John Dennis, and John Dryden

Clarifies the connection between these critics' theories and sections of the Poetics dealing with Aristotle's definition of poetry as imitation, his remarks on dramatic necessity, probability, and unity, and his comments on characterization and catharsis.

From Thomas the Rhymer to Richard Gall
  • Language: en
  • Pages: 608

From Thomas the Rhymer to Richard Gall

  • Type: Book
  • -
  • Published: 1876
  • -
  • Publisher: Unknown

None

Syllabus (in English) of the Documents Relating to England and Other Kingdoms
  • Language: en
  • Pages: 698

Syllabus (in English) of the Documents Relating to England and Other Kingdoms

  • Type: Book
  • -
  • Published: 1869
  • -
  • Publisher: Unknown

None

James Malcolm Rymer, Penny Fiction, and the Family
  • Language: en
  • Pages: 207

James Malcolm Rymer, Penny Fiction, and the Family

James Malcolm Rymer, Penny Fiction, and the Family is the first monograph focusing on Sweeney Todd and Varney the Vampyre’s creator James Malcolm Rymer (1814–1884). It argues that Rymer wrote his so-called ‘penny bloods’ and ‘dreadfuls’ for and about British urban working families. In the 1840s, the notion of the family acquired unprecedented prominence and radical potential. Raised in an artisanal artistic-literary family, Rymer wrote for and edited family magazines early in that genre’s history, deployed Chartist domesticity to liberal ends, and collaborated with cheap publisher Edward Lloyd to define and popularise the domestic romance genre. In 1850s–1860s penny serials p...