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The relationship between philosophy and theatre is a central theme in the writings of Plato and Aristotle and of dramatists from Aristophanes to Stoppard. Where Plato argued that playwrights and actors should be banished from the ideal city for their suspect imitations of reality, Aristotle argued that theatre, particularly tragedy, was vital for stimulating our emotions and helping us to understanding ourselves. Despite this rich history the study of philosophy and theatre has been largely overlooked in contemporary philosophy. This is the first book to introduce philosophy and theatre. It covers key topics and debates, presenting the contributions of major figures in the history of philoso...
This Element explains Nietzsche's ethics in his late works, from 1886 onwards. The first three sections explain the basics of his ethical theory – its context and presuppositions, its scope and its central tension. The next three sections explore Nietzsche's goals in writing a history of Christian morality (On the Genealogy of Morality), the content of that history, and whether he achieves his goals. The last two sections take a broader look, respectively, at Nietzsche's wider philosophy in light of his ethics and at the prospects for a Nietzschean ethics after Nietzsche.
A collection of new essays on the philosophy of theatre and the philosophy of drama, combining historical perspectives and new directions.
Small-town doctor Thomas Stern built a practice filled with memorable characters in rural Oregon. Then he moved to Southern California to work as technical advisor on the beloved TV series, "Marcus Welby, M.D". His life story is filled with episodes that are thought-provoking, heart-warming, and even rib-tickling.
"Charleston Sutterfeld does what people do shows up to work predominantly on time, tends to assigned tasks, avoids conflict and complication. Sure, beneath the surface he occasionally ponders whether a personal greatness might exist somewhere inside of him--as anyone, he presumes, might naturally wonder every now and again. But his life seldom offers occasion to descend to such introspective depths. So, who is he to argue?"--Cover.
In Passing Fancies Judith Ruderman takes on the fraught question of who passes for Jewish in American literature and culture. In today’s contemporary political climate, religious and racial identities are being reconceived as responses to culture and environment, rather than essential qualities. Many Jews continue to hold conflicting ideas about their identity—seeking, on the one hand, deep engagement with Jewish history and the experiences of the Jewish people, while holding steadfastly, on the other hand, to the understanding that identity is fluid and multivalent. Looking at a carefully chosen set of texts from American literature, Ruderman elaborates on the strategies Jews have used to "pass" from the late 19th century to the present—nose jobs, renaming, clothing changes, religious and racial reclassification, and even playing baseball. While traversing racial and religious identities has always been a feature of America’s nation of immigrants, Ruderman shows how the complexities of identity formation and deformation are critically relevant during this important cultural moment.
Though he occupied the oval office for less than three years, Gerald Ford made several key political decisions that helped reunite the country following the divisions over the Vietnam War and helped restore the faith of Americans in their government following the Watergate scandal. This book provides a complete history of Ford's presidency from August 9, 1974, to January 20, 1977 (with two chapters on the Nixon administration events leading up to Ford's succession).
Provides comprehensive and up-to-date coverage of Nietzsche's philosophy, his key works and themes, his major influences and his legacy.