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Mundane buildings, nondescript streets, anonymous facades--these are the features that first strike in viewing Thomas Struth's pictures of streets--"unconscious places". Both in black-and-white and in color, Struth uses a frontal, eye-height view, with no optical distortion to disrupt the impression that what we see is a neutral, objective recording of reality. At the same time, Struth's urban landscapes are also a critical depiction of different human habitats. This volume presents a comprehensive survey of Struth's street views from the 1970s to 2010: narrow lanes in Edinburgh, Wuhan, Naples, and Erfurt; satellite towns in Paris, Leverkusen, Chicago, and Pyongyang; thoroughfares in Brussels, Lima, and Los Angeles; grand boulevards in St. Petersburg, New York City, and Beijing. Frequently there is an almost total absence of people in his cityscapes, which provides a feeling of desolation. In contrast, his famous Shibuya Crossing, Tokyo, is bustling with people and billboards.
This catalogue accompanies a touring exhibition held at Museum Folkwang, Essen, Germany on March 4-May 29, 2016, at Martin-Gropius Bau, Berlin, Germany on June 11-September 18, 2016, at High Museum, Atlanta, Georgia on October 16, 2016-January 8, 2017, and at St Louis Art Museum, St Louis, Missouri in Fall 2017.
A retrospective exhibition of Thomas Struth at the Cycladic Art Museum in Athens, Greece, is accompanied by a comprehensive catalog assembling Struth's classic photographs in a smart little publication serving as a basic book on his work, the essential Struth so to speak, with his most beautiful Museum photographs , a number of his famous portraits, his breathtaking architecture studies and the dream-like nature studies of his Paradises .
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"Since the 1990s, Thomas Struth has been one of the most renowned and influential photographers of the German art scene. A brilliant conceptualist with an unerring eye for color, Struth studied painting under Gerhard Richter and photography under Bernd and Hilla Becher, a combination that decisively influenced his vision. This volume collects more than 120 representative photographs from each series in Struth's oeuvre, including: early street photographs from the 1970s and '80s ('Unconscious Places'); the "Family Portraits" series; the "Museum Photographs"; "Nature and Politics"; the jungle photographs ("New Pictures from Paradise"); and, from his latest series, images from the realm of science. Also included are previously unpublished works from the photographer's archive. The largest and most comprehensive survey of the artist's work to date, this superbly illustrated volume includes scholarly essays by curators Thomas Weski and Ulrich Wilmes, as well as photographer Jana-Maria Hartmann. An interview with the artist by Okwui Enwezor, Director of Haus der Kunst, provides valuable insight into Struth's career and ideas."]c--publisher's description, page 2 of jacket.
A new ed. of Struth's "Museum photographs", adding 26 additional images which include pictures of artworks at their original locations.
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“Thomas Struth’s photographs are about making order visible. And with the help of these images, the viewer finds him- or herself better able to grasp some of the many and varied faces of reality.” Photographer Thomas Struth is one of the most acclaimed artists to emerge from Europe in the late twentieth century. With great precision, clarity of color, and an unwavering instinct for composition, he addresses both important photographic motifs and informal, often little-known subjects. Struth characteristically treats the various aspects of his photographs in an even-handed way, a neutrality he also applies to the viewer, for he puts the viewing public on a par with his pictorial world. ...
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Archive, Matrix, Assembly: The Photographs of Thomas Struth 1978-2018' presents the first comprehensive, systematic theory of contemporary German artist Thomas Struth's main body of photographic work from its beginnings in the late 1970s until his most recent work in 2018.0The book presents a unique, evolutionary understanding of the work, proposing that it has established three stages of production: archive, matrix, and assembly. Together the three stages form a developmental system that characterises the individual photographs, their relation to their subject matter, and how they form larger, significant collections of images. In covering all phases of the artist's work, it also develops a comprehensive critical reading of the work, serves as a monograph of the artist, and provides an extensive analysis of the photographs at all stages, including the less discussed, more recent photography, which is placed on par with his earlier work for which Struth first became internationally renowned.