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Entangling Vines
Entangling Vines is a translation of the Shumon Kattoshu, the only major koan text to have been compiled in Japan rather than China. Most of the central koans of the contemporary Rinzai koan curriculum are contained in this work. Indeed, Kajitani Sonin (1914–1995)—former chief abbot of Shokoku-ji and author of an annotated, modern-Japanese translation of the Kattoshu—commented that “herein are compiled the basic Dharma materials of the koan system.” A distinctive feature of Entangling Vines is that, unlike the Gateless Gate and Blue Cliff Record, it presents the koans “bare,” with no introductions, commentaries, or verses. The straightforward structure of its presentation lends the koans added force and immediacy, emphasizing the Great Matter, the essential point to be interrogated, while providing ample material for the rigors of examining and refining Zen experience. Containing 272 cases and extensive annotation, the collection is not only indispensable for serious koan training but also forms an excellent introduction to Buddhist philosophy.
The Record of Linji
The Linji lu (Record of Linji) has been an essential text of Chinese and Japanese Zen Buddhism for nearly a thousand years. A compilation of sermons, statements, and acts attributed to the great Chinese Zen master Linji Yixuan (d. 866), it serves as both an authoritative statement of Zen’s basic standpoint and a central source of material for Zen koan practice. Scholars study the text for its importance in understanding both Zen thought and East Asian Mahayana doctrine, while Zen practitioners cherish it for its unusual simplicity, directness, and ability to inspire. One of the earliest attempts to translate this important work into English was by Sasaki Shigetsu (1882–1945), a pioneer Z...
Dialogues in a Dream
Drawing on his encyclopaedic knowledge, one of the most famous masters in the history of Zen leads us on a grand tour of Buddhist theology in all its timeless relevance. Muso Soseki, the renowned fourteenth century Zen master, is today most known for developing the art of traditional Japanese Zen gardening. Even more impressive is his creation of the institutional structure for all Japanese Buddhist temples, which still in use today. Dialogues in a Dream is one of the many projects Soseki took on in this final period of his life. Written in the guise of a conversation between Soseki and the shogun, the work covers the breadth of Buddhist philosophy and practice, and includes insightful discussions of prayer, mediation, and the place of study in religious life. His penetrating analysis deepens our appreciation of even the simplest Buddhist practices. Acclaimed scholar Thomas Yuho Kirchner painstakingly translates this classic text into English.
Sitting with Koans
The Zen tradition has just two main meditative practices: shikantaza, or "just sitting"; and introspection guided by the powerful Zen teaching stories called koans. Following in the tradition of The Art of Just Sitting (endorsed as a "A book we have needed for a long, long time"), this new anthology from John Daido Loori illuminates the subtle practice of koan study from many different points of view. Includes writings by: Robert Aitken William Bodiford Robert Buswell Roko Sherry Chayat Francis Dojun Cook Eihei Dogen Heinrich Dumoulin Hakuin Ekaku Victor Sogen Hori Keizan Jokin Philip Kapleau Chung-fen Ming-Pen Taizan Maezumi Dennis Genpo Merzel Soen Nakagawa Ruth Fuller Sasaki Sokei-an Sasaki Nyogen Senzaki Zenkei Shibayama Eido Shimano Philip Yampolsky Hakuun Yasutani Wayne Yokoyama Katsushiro Yoshizawa
Critical Sermons of the Zen Tradition
This book brings together two giants of the history of Zen: Linji (Japanese, Rinzai) and Hisamatsu Shin'ichi. Linji is looked upon as the founder of the Rinzai sect in Japan. Hisamatsu was a leading twentieth century master/thinker who lived in Kyoto and was a tremendous influence on the development of the Kyoto school of Japanese philosophy. The translators and editors have translated and annotated twenty-two of Hisamatsu's Zen teisho (Dharma talks, in effect, sermons for Zen practitioners) of a classical Zen text, the Record of Linji, the recorded sayings of the Chinese founder of Rinzai Zen.
The Eminent Monk
In an attempt to reconstruct an elusive aspect of the medieval Chinese imagination, The Eminent Monk examines biographies of Chinese Buddhist monks, from the uncompromising ascetic to the unfathomable wonder-worker. While analyzing images of the monk in medieval China, the author addresses some questions encountered along the way: What are we to make of accounts in “eminent monk” collections of deviant monks who violate monastic precepts? Who wrote biographies of monks and who read them? How did different segments of Chinese society contend for the image of the monk and which image prevailed? By placing biographies of monks in the context of Chinese political and religious rhetoric, The Eminent Monk explores both the role of Buddhist literature in Chinese history and the monastic imagination that inspired this literature.
Zongmi on Chan
Japanese Zen often implies that textual learning (gakumon) in Buddhism and personal experience (taiken) in Zen are separate, but the career and writings of the Chinese Tang dynasty Chan master Guifeng Zongmi (780-841) undermine this division. For the first time in English, Jeffrey Broughton presents an annotated translation of Zongmi's magnum opus, the Chan Prolegomenon, along with translations of his Chan Letter and Chan Notes. The Chan Prolegomenon persuasively argues that Chan "axiom realizations" are identical to the teachings embedded in canonical word and that one who transmits Chan must use the sutras and treatises as a standard. Japanese Rinzai Zen has, since the Edo period, marginal...
Zen Letters
Letters written by the great Chinese master Yuanwu present the teachings of Zen in accessible, person-to-person lessons and reveal the inner workings of the psychology of enlightenment
Zen Sand
Zen Sand is a classic collection of verses aimed at aiding practitioners of kôan meditation to negotiate the difficult relationship between insight and language. As such it represents a major contribution to both Western Zen practice and English-language Zen scholarship. In Japan the traditional Rinzai Zen kôan curriculum includes the use of jakugo, or "capping phrases." Once a monk has successfully replied to a kôan, the Zen master orders the search for a classical verse to express the monk’s insight into the kôan. Special collections of these jakugo were compiled as handbooks to aid in that search. Until now, Zen students in the West, lacking this important resource, have been severely limited in carrying out this practice. Zen Sand combines and translates two standard jakugo handbooks and opens the way for incorporating this important tradition fully into Western Zen practice. For the scholar, Zen Sand provides a detailed description of the jakugo practice and its place in the overall kôan curriculum, as well as a brief history of the Zen phrase book. This volume also contributes to the understanding of East Asian culture in a broader sense.
A Bird in Flight Leaves No Trace
Penetrate the nature of mind with this contemporary Korean take on a classic of Zen literature. The message of the Tang-dynasty Zen text in this volume seems simple: to gain enlightenment, stop thinking there is something you need to practice. For the Chinese master Huangbo Xiyun (d. 850), the mind is enlightenment itself if we can only let go of our normal way of thinking. The celebrated translation of this work by John Blofeld, The Zen Teaching of Huang Po, introduced countless readers to Zen over the last sixty years. Huangbo’s work is also a favorite of contemporary Zen (Korean: Seon) Master Subul, who has revolutionized the strict monastic practice of koans and adapted it for lay meditators in Korea and around the world to make swift progress in intense but informal retreats. Devoting themselves to enigmatic questions with their whole bodies, retreatants are frustrated in their search for answers and arrive thereby at a breakthrough experience of their own buddha nature. A Bird in Flight Leaves No Trace is a bracing call for the practitioner to let go and thinking and unlock the buddha within.
