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Citizen Spectator
In this richly illustrated study, the first book-length exploration of illusionistic art in the early United States, Wendy Bellion investigates Americans' experiences with material forms of visual deception and argues that encounters with illusory art shaped their understanding of knowledge, representation, and subjectivity between 1790 and 1825. Focusing on the work of the well-known Peale family and their Philadelphia Museum, as well as other Philadelphians, Bellion explores the range of illusions encountered in public spaces, from trompe l'oeil paintings and drawings at art exhibitions to ephemeral displays of phantasmagoria, “Invisible Ladies,” and other spectacles of deception. Bell...
Samuel Sloan
Samuel Sloan: Architect of Philadelphia, 1815-1884 is a comprehensive study of one of America's most influential architects. Sloan created the designs that have become prototypes for many public buildings. His plan for the Hospital of the Protestant Episcopal Church in Philadelphia served as the model for American general hospitals, and, with Dr. Thomas S. Kirkbride, he created the model for mental hospitals in the United States. Sloan was also an innovative designer of public schools, creating the "Philadelphia Plan" of schoolhouse design, which came to be internationally known and widely used. Sloan helped to shape the architecture of his time not only through the buildings he designed but...
Hans Christian Andersen in American Literary Criticism of the Nineteenth Century
In Hans Christian Andersen in American Literary Criticism of the Nineteenth Century, Herbert Rowland argues that the literary criticism accompanying the publication of Hans Christian Andersen’s works in the United States compares favorably in scope, perceptiveness, and chronological coverage with the few other national receptions of Andersen outside of Denmark. Rowland contends that American commentators made it abundantly evident that, in addition to his fairy tales, Andersen wrote several novels, travelogues, and an autobiography which were all of more than common interest. In the process, Rowland shows that American commentators “naturalized” Andersen in the United States by confronting the sensationalism in the journalism and literature of the time with the perceived wholesomeness of Andersen’s writing, deploying his long fiction on both sides of the debate over the nature and relative value of the romance and the novel, and drawing on three of his works to support their positions on slavery, the Civil War, and Reconstruction.
