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As well as stories and superstitions, the oral traditions of plant folklore contain spells, recipes, taboos and spirit-attributions, as well as admonitions about the specific magical powers of herbs. A good deal of this lore relates to witchcraft: how a plant might protect one from witches or other users of malefic magic, or how it may have been used for cursing, conjuring spirits, or bringing dreams. The Witch's Cabinet contains thirteen essays on the witchcraft attributes of plants, discussing how their powers were regarded historically, or used in operations of sorcery. Richly illustrated with the enigmatic drawings of artist Peter Köhler, the book also contains an introduction by noted writer on occult herbalism Daniel A. Schulke.
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The Green Mysteries is the product of twenty-five years of experiential research on the spiritual and occult properties of plants. Presenting a vast array of trees and herbs from many spiritual traditions, this exhaustive compendium examines their folklore, magical uses and spiritual essences. While presenting the material through both magical and mythopoetic narrative, the stance of the book is also grounded firmly in supportive disciplines such as botany, chemistry, and anthropology and also includes up to date phylogenetic and pharmacological findings. Interspersed with the encyclopedic plant entries are short narratives addressing such concepts as the Witches' Flying Oinment, intoxicatin...
Before its modern incarnation of predictive horoscopy, Astrology was in centuries past integrated with science, magic, mysticism and philosophy. In this groundbreaking anthology, ten of today's most influential esoteric astrologers write concerning Astrology's hidden occult aspects, from herbalism to witchcraft, to philosophy and practical sorcery. Contributing authors include Demetra George, Austin Coppock, John Michael Greer, Jason Miller, Freedom Cole, Benjamin Dykes, Daniel Schulke, Al Cummins, Lee Lehman, Eric Purdue, and Mallorie Vaudoise.
In many esoteric traditions, there exists an iconic or linguistic corollary between the concepts of 'poisoner' and 'sorcerer', suggesting a sinistral magical kinship often interchangeable with witchcraft or maledictive magic. Indeed, the use of plant, animal and mineral toxins is a strand of magic originating in remotest antiquity and reaching the present day. Beyond its mundane function as an agent of corporeal harm, poison has also served as a gateway of religious ecstasy, occult knowledge, and sensorial aberration, as well as the basis of healing cures. Allied with Samael, the serpent of Eden whose Hebrew name in some translations is 'Venom of God', this facet of magic wends through the rites of ancient Sumer and Egypt, penetrating European Necromancy. Alchemy, the arcane the rites of the Witches' Sabbath, and modern-day folk magic survivals. This second edition of Veneficium, newly expanded, examines the intersection of magic and poison, collecting the authors early essays on this magical kinship, and exploring the toxicological dimensions of occult power
Lucifer s transgression is examined, as well as the penetrating and trangressive nature of his radiance. In the popular imagination, the fallen angel Lucifer evokes such concepts as heresy, rebellion, pride, liberation from the bonds of demiurgic oppression, and impetus for human evolution. From his earliest origins, the Proud Angel has been hailed by religious and artistic countercultures as a patron saint of enlightenment his most essential quality embodying overthrow of ignorance and the inspired process of revelation. Allied to ancient Gnostic Christian cosmological conceptions, the fallen angel has also found dominion within occult traditions, folk magic, philosophy, as well as art and literature. Lucifer has also, in many enduring mystical traditions, assumed a female form in the guise of Lucina, Lucia and Diana Lucifera. In his guise as the Serpent of Eden, he bestowed the magical philosophy of the Luciferian Woman, she who was not born of the clay, and was therefore especially receptive to the forbidden powers which would render one as God. "
I can confirm that should you ever find yourself on stage playing the bass guitar with tree left hands, it is usually the one in the middle that is the real one. The other two are probably phantoms. Playing the Bass with Three Left Hands tells the story of one of the most influential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rugby's finest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their separate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualised in one of the funniest and most memorable memoirs committed to the page.
The discipline of Occult Herbalism encompasses the knowledge and use of the magical, spiritual, and folkloric dimensions of plants. This perennial wisdom animates many global spiritual traditions, especially those which have maintained their integrity of transmission even in the face of industrial development and cultural destruction. Often concealed within the deepest strata of the Western Esoteric Traditions, this green strand of wisdom, though obscured, is a potent legacy of all magic, sorcery, and occult science. In addition to the hard sciences of botany, ethnology, agriculture and ethnopharmacology, a number of pathways can assist the magical herbalist in furthering the depth of understanding and integrity of personal approach. Thirteen Pathways of Occult Herbalism circumscribes the metaparadigm of herbal magical practice, providing useful examples of its manifestation, as well as demonstrating its time-honored routes of inquiry.
The chalk downs of Sussex possess a fascinating history of spell-craft, spirit-lore, rural magic, and a rich tradition of image sorcery. With its situation at the crossroads of eastern and western England, as well as its proximity to the sea, it has witnessed centuries of cultural migrations, which have resulted in a remarkably diverse admixture of spiritual traditions. In Martin Duffy's second major work for Three Hands Press, the eternal strata of Sussex magic and folklore are brought forth in a richly woven narrative that brings these powerful and archaic traditions to life.
Written in the tradition of the medieval bestiaries, Robert Fitzgerald's 'Arcanum Bestiarum' re-imagines the spiritual, magical and atavistic powers of the animal world. Written for the modern reader, the 272-page volume examines the occult virtues of fifty animals, including magical correspondences and tutelary powers. The text is graced with fifty-five original woodcut illustrations by celebrated artist Liv Rainey-Smith, prepared especially for this title in close collaboration with the author. Completing the design elements is an original typeface created for the work by calligrapher Gail Coppock.