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Romance Languages
Ti Alkire and Carol Rosen trace the changes that led from colloquial Latin to five major Romance languages, those which ultimately became national or transnational languages: Spanish, French, Italian, Portuguese, and Romanian. Trends in spoken Latin altered or dismantled older categories in phonology and morphology, while the regional varieties of speech, evolving under diverse influences, formed new grammatical patterns, each creating its own internal regularities. Documentary sources for spoken Latin show the beginnings of this process, which comes to full fruition in the medieval emergence of written Romance languages. This book newly distills the facts into an appealing program of study, including exercises, and makes the difficult issues clear, taking well motivated and sometimes innovative stands. It provides not only an essential guide for those new to the topic, but also a reliable compendium for the specialist.
Linguistics for Singers
Linguistics for Singers: An Introduction is a textbook and manual that provides singers with a foundation in linguistic features of four major singing languages—English, Italian, French, and German—and shows how these features can be used to inform vocal performance and interpretation. Going beyond the basics of lyric diction, a grounding in linguistics enables student musicians to understand language holistically and more fully comprehend the music they are learning. The comparative approach to four common languages allows readers to readily grasp similarities and apply principles across vocal repertoire. Beginning with the sounds of a language and gradually moving up through larger levels of linguistic structure, from words to full texts, the chapters illustrate concepts using real examples from art songs and opera. The clear explanations enable readers new to linguistics to connect these concepts with their own musical practice. Designed for flexible use in courses on language and singing, lyric diction, repertoire studies, and collaborative piano, this book provides a vital resource for singers, vocal instructors, and conductors.
The Linguistic Past in Twelfth-Century Britain
This book shows how depictions of etymology were used by twelfth-century poets, translators, bureaucrats and historians to portray Britain's past.
A History of European Literature
Walter Cohen argues that the history of European literature and each of its standard periods can be illuminated by comparative consideration of the different literary languages within Europe and by the ties of European literature to world literature. World literature is marked by recurrent, systematic features, outcomes of the way that language and literature are at once the products of major change and its agents. Cohen tracks these features from ancient times to the present, distinguishing five main overlapping stages. Within that framework, he shows that European literature's ongoing internal and external relationships are most visible at the level of form rather than of thematic statemen...
Lingo
Six thousand years. Sixty languages. One “brisk and breezy” whirlwind armchair tour of Europe “bulg[ing] with linguistic trivia” (The Wall Street Journal). Take a trip of the tongue across the continent in this fascinating, hilarious and highly edifying exploration of the many ways and whys of Euro-speaks—its idiosyncrasies, its histories, commonalities, and differences. Most European languages are descended from a single ancestor, a language not unlike Sanskrit known as Proto-Indo-European (or PIE for short), but the continent’s ever-changing borders and cultures have given rise to a linguistic and cultural diversity that is too often forgotten in discussions of Europe as a poli...
The Inflected Infinitive in Romance Languages
This book investigates two prominent issues with regard to the inflected infinitive-the syntactic distribution of the Portuguese inflected infinitive, and its origin and development from Early Romance. The syntactic analysis offered here differs from traditional descriptions of the inflected infinitive in that it uses a theoretical approach to propose one concise condition which predicts all possible occurrences of the Portuguese inflected infinitive within the framework of relational grammar. While the first section of this book offers a synchronic study of the use of the inflected infinitive, the second section examines the theories previously posited to explain its origin and provides additional evidence from Latin and other Romance languages to support the proposal that the inflected infinitive was a historical development rooted in the Latin imperfect subjunctive. This study presents a detailed comparison of the syntactic environments common to both the imperfect subjunctive and the inflected infinitive, and examines the survival of an inflected infinitive in other Romance varieties as well as the existence of other inflected non-finite forms in these languages.
Medieval Song in Romance Languages
Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.
Poetry and Language
An accessible introduction to poetry's unusual uses of language that tackles a wide range of poetic features from a linguistic point of view. Equally appealing to the non-expert and more experienced student of linguistics, this book delivers an engaging and often witty summary of how we define what poetry is.
