Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Políticas e práticas na formação de professores
A presente obra reúne estudos de pesquisadores do Brasil com o intuito de propor reflexões e ampliar o debate sobre as políticas e práticas de formação de professores colocadas em circulação na atualidade. Assim, a presente obra se constitui pelo entrelaça- mento de sete capítulos que tematizam a formação de professores sob diferentes perspectivas teóricas e metodológicas. Considera-se importante que em tempos de desvalorização e de desprestígio dos profissionais da educação se constituam espaços de divulgação de boas experiências de formação inicial e continuada de professores nos diferentes níveis de ensino.
Novas narrativas para o ensino-aprendizagem
“Novas narrativas para o ensino-aprendizagem” apresenta os projetos, os sonhos e as realizações de professores e de professoras na melhoria e no avanço da educação em nosso país. São pesquisas que trazem dados da realidade das escolas, das universidades e de projetos inter e transdisciplinares. Os autores e as autoras refletem e problematizam a área de trabalho e estudo apontando formas eficazes para um ensino-aprendizagem de qualidade.
Sobre educação e tecnologia: processos e aprendizagem
A Pimenta Cultural apresenta dois volumes com pesquisas que abordam diferentes vieses relacionados à educação, à aprendizagem e aos processos pedagógicos. O primeiro volume, Sobre educação e tecnologia: conceitos e aprendizagem, trata de conceitos que permeiam a formação dos professores, os cursos à distância e os aparatos tecnológicos na busca pela potencialização da aprendizagem. Os pesquisadores partem de estudos de caso onde analisam os meios e os recursos utilizados no processo de aprendizagem, tanto in loco como em ambientes digitais, pontuando desafios e caminhos para o sucesso das práticas. O segundo volume, Sobre educação e tecnologia: processos e aprendizagem, apre...
A educação em tempos da revolução das máquinas
Nessa era exponencial em que se vive, somos espectadores da Quarta Revolução Industrial: a revolução das máquinas. Inclusive no campo da educação as mudanças são inevitáveis, pois o mundo acaba por abandonar a sua linearidade e assumir a sua exponencialidade e, neste contexto, a desatualização torna-se cada vez mais constante, sendo que o que hoje pode ser sinônimo de sucesso pode não o ser amanhã. Nesse cenário, o mais importante para a nossa carreira profissional não é mais estar centrado unicamente em processos puramente analíticos, mas exige-se que os professores também sejam capazes de desenvolver as dimensões inovadoras, criativas e emocionais.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
I Didn't Talk
The English-language debut of a master stylist: a compassionate but relentless novel about the long, dark harvest of Brazil’s totalitarian rule A professor prepares to retire—Gustavo is set to move from Sao Paulo to the countryside, but it isn’t the urban violence he’s fleeing: what he fears most is the violence of his memory. But as he sorts out his papers, the ghosts arrive in full force. He was arrested in 1970 with his brother-in-law Armando: both were vicariously tortured. He was eventually released; Armando was killed. No one is certain that he didn’t turn traitor: I didn’t talk, he tells himself, yet guilt is his lifelong harvest. I Didn’t Talk pits everyone against the ...
Antonio
A brilliant, magisterial novel of family secrets simmering beneath the surface Benjamin, on the verge of becoming a father, discovers a tragic family secret involving patrimony and determines to get to the root of. Those most immediately involved are all dead, but their three closest confidantes are still alive—Isabel, his grandmother; Haroldo, his grandfather’s friend; and Raul, his father’s friend—and each will tell him a different version of the facts. By collecting these shards of memories, which offer personal glimpses into issues of class and politics in Brazil, Benjamin will piece together the painful puzzle of his family history. Like a Faulkner novel, Beatriz Bracher’s brilliant Antonioshows the expansiveness of past events and the complexity of untangling long-buried secrets.
Media Archaeology
“Huhtamo and Parikka, from the first and second generations of media archaeology, have brought together the best writings from almost all of the best authors in the field. Whether we speak of cultural materialism, media art history, new historicism or software studies, the essays compiled here provide not only an anthology of innovative historical case studies, but also a methodology for the future of media studies as material and historical analysis. Media Archaeology is destined to be a key handbook for a new generation of media scholars.” —Sean Cubitt, author of The Cinema Effect "Taken together, this excellent collection of essays by a wide range of scholars and practitioners demon...
The Lumière Galaxy
Francesco Casetti believes new media technologies are producing an exciting new era in cinema aesthetics. Whether we experience film in the theater, on our hand-held devices, in galleries and museums, onboard and in flight, or up in the clouds in the bits we download, cinema continues to alter our habits and excite our imaginations. Casetti travels from the remote corners of film history and theory to the most surprising sites on the internet and in our cities to prove the ongoing relevance of cinema. He does away with traditional notions of canon, repetition, apparatus, and spectatorship in favor of new keywords, including expansion, relocation, assemblage, and performance. The result is an innovative understanding of cinema's place in our lives and culture, along with a critical sea-change in the study of the art. The more the nature of cinema transforms, the more it discovers its own identity, and Casetti helps readers realize the galaxy of possibilities embedded in the medium.
