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Hultsbruk
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Der Autor in seinem Text
Writers of German contemporary literature are often part of their own texts: They name their protagonists after themselves and ostentatiously integrate autobiographical elements. These so-called autofictions can be attributed to postmodern sources (in particular to French 'autofictions'). But they have turned away from the highly conventionalised criticism of the literary genre of autobiography. Instead, the texts play with the effects of reception which are commonly caused by autobiographical presentations in order to comment on the public image of their writers.
Wunderkind
What makes an artist? What forces and inklings drive a young man or woman to make their own journey, and where does it begin? In imaginary childhood games? In chance encounters? At the sensitive core of the human heart?To answer these and other questions, award-winning author Rory MacLean met more than one hundred working German artists. He traced how childhood obsessions or a spark of inspiration developed in the imagination. He walked beside a platinum rock star and a struggling caricaturist, followed the process of best-selling novelists, tracked the life stories of top film makers, sculptors, painters and the godfather of techno. He saw how political rebellion, English punk, Pershing mis...
Literary Prizes and Cultural Transfer
Literary Prizes and Cultural Transfer addresses the multilevel nature of literary and translation prizes, with the aim of expanding our knowledge about them as an international and transnational phenomenon. The contributions to this book analyse the social, institutional, and ideological functions of such prizes. This volume not only looks at famous prizes and celebrities but also lesser known prizes in more peripheral language areas and regions, with a special focus on cultural transmitters and their networks, which play a decisive role in the award industry. Cultural transfer and translations are at the heart of this book and this approach adds a new dimension to the study of literary and ...
Literatur inter- und transmedial / Inter- and Transmedial Literature
Literatur oder, allgemeiner, Texte sind nicht erst seit dem 20. Jahrhundert inter- und transmedial ausgerichtet. Dennoch ist es sinnvoll, von einer medial reflexiven Literatur erst seit dem audiovisuellen Jahrhundert zu sprechen, dem des Films. Medientransformationen sind seitdem nicht allein paradigmatische Wechsel der Systeme, sondern auch Vervielfältigungen durch die Pluralität der medialen Träger. Neben allgemeineren Fragestellungen und theoretischen Bestimmungen steht das Wechselverhältnis von Text, Bild und Musik im Zentrum detaillierter Untersuchungen. Der intermedialen Performanz ist ein weiterer Teil des Bandes gewidmet, der schließlich die Brücke zu Film und Fernsehen schläg...
The King of China
When Keith Stapperpfennig and his family give their grandfather the trip of a lifetime--an all expenses paid holiday to any destination in the world--the eccentric old man arbitrarily chooses China, and he asks Keith to accompany him. But when Keith loses all the money for the journey at a casino, he goes into hiding--mostly under his desk--and his grandfather--equally uninterested in actually traveling to China--heads down the road to engage in a similar subterfuge. And it is here that the novel opens, two men in hiding, mere miles apart. But when his grandfather dies unexpectedly, Keith is left to continue the farce alone. With the aid of a guidebook, Keith writes a series of letters home to his brothers and sisters, detailing their imaginary travels and the bizarre sights they see. These start off harmlessly, but before long he starts adding invented details: non-stop dental hygiene shows on television, dog vaccinations at the post office--and the letters get longer and longer. Engaging, strange, and ultimately moving, this hilarious novel from Tilman Rammstedt won him the prestigious Ingeborg Bachmann Prize in 2008 and confirmed him as one of Germany's most compelling writers.
What You Can See From Here
'Manages something only a few books achieve: it makes you happy' Munich Mercury Voted the Independent Booksellers' Favorite Novel of the year in Germany On a beautiful spring day, a small village in Western Germany wakes up to an omen: Selma has dreamed of an okapi. Someone is about to die. But who? As the residents of the village begin acting strangely (despite protestations that they are not superstitious), Selma's granddaughter Luise looks on as the imminent threat brings long carried secrets to the surface. And when death comes, it comes in a way none of them could have predicted... A story about the absurdity of life and death, a bittersweet portrait of village life and the wider world that beckons beyond, What You Can See from Here is a story about the way loss and love shape not just a person, but a community. The international bestseller which sold over 600,000 copies in Germany
The Great Nowitzki: Basketball and the Meaning of Life
A journey into the mindset of a historic basketball superstar, and the importance of his landmark career. The seven-foot Dirk Nowitzki is one of the greatest players in basketball history. The Dallas Maverick’s legend revolutionized the sport, redefining the role of the big man in the modern game. Dirk moved differently: flexible and fast, confident and in control. He thought differently, too. On the court, his shots were masterful—none more venerated than his signature one-legged flamingo fadeaway, a move that lives on in the repertoire of today’s most skilled NBA players. How did this lanky kid from the German suburbs become an all-time top ten scorer and NBA champion? How can a supe...
Die Geschichtlichkeit des Briefs
Wie hat sich der Brief als Kommunikationsform in den letzten 3.000 Jahren entwickelt? Was hat sich gewandelt? Welche Strukturelemente blieben unverändert? Als Text, als Objekt und als kommunikatives Ereignis lebt der Brief in seiner Wiedererkennbarkeit von Invarianzen, die die Reproduzierbarkeit eines Musters auch unter sich wandelnden kulturellen Bedingungen zu garantieren scheinen. Es ist diese zwischen Formalisierung und Offenheit changierende Textualität, die zum einen das Interesse disziplinär konturierter Fragehorizonte auf sich zieht, die zum anderen aber ohne interdisziplinären Austausch wohl kaum in ihrer Spannbreite ausgemessen werden kann. Die Beiträge des Bandes tragen Bausteine zu einer Kulturgeschichte des Briefs zusammen und reflektieren zugleich die Kontinuitäten, die sich im geschichtlichen Wandel abzeichnen.
