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Nicole Treadwell has a secret. If she reveals it, she will surely die. Of course, she knows it´s true because certain death is what he promised her after the "incident" in the deep woods years ago. Her fate ever in his hands, keeping the secret guts her on the inside as she struggles to make ends meet, serving as a law clerk to a dangerously ambitious judge in the Nation’s Capitol with secrets of her own. Nicole is tired--exhausted--toying with thoughts (she´s afraid to own) of letting life go. Her life is unraveling, her sound mind frayed. At the end of herself, she knows she can’t save herself, but who can? Worse, does she want to be saved? A swift reply to both questions comes in th...
Morgan was sure he would catch the milk thief. Not that a small boy’s jar of milk mattered much, but it was the principle of the thing. It bothered him that the boy could elude him day after day. His traps only snared the cows and Morgan was spending too much time trying to stop the pilfering. Had Morgan known what he was up against, he would have ignored the boy and, perhaps, saved them all from life changing events and a great deal of heartache. But Morgan was a stubborn man. Tim knew where Morgan was most of the time, so when Morgan didn’t appear for three days, Tim knew something was wrong. Morgan was dangerously ill. When Tim crept into Morgan’s bedroom and touched him he did more than cure his fever. Subtle changes in Morgan’s brain altered his thinking, among other new abilities, and his life could never be the same.
A centennial celebration of the career and legacy of the first made-in-America violin virtuoso and one of the twentieth century’s greatest musicians. No single American could personify what Henry Luce called the American Century. But over his eighty-one years, Isaac Stern came closer than most. Russian-Jewish parents brought him to San Francisco at ten months; practice and talent got him to Carnegie Hall, critical acclaim, and the attention of the legendary impresario Sol Hurok at twenty-five. As America came of age, so too did Stern. He would go on to make music on five continents, records in formats from 78 rpm to digital, and friends as different as Frank Sinatra and Sir Isaiah Berlin. ...
Joseph Caldwell’s rollicking Pig Trilogy, a charmingly romantic three-part tale of an American in contemporary Ireland
Darwin named Geography as 'Queen of the sciences'. His observations of geographical connections had revealed the phenomenon of Life in a remarkably structured Earth-world as inter-locked dynamic systems. This 'Systems View of Life' is reviving at a time when we are facing a crisis of collapse in world systems, and the prospect of a breaking world, as a result of reckless human activities driven by amoral values. We are all geographers, embarked on a voyage in search of the optimum location with the promise of support and betterment of our future living conditions. But, for most of the world's people, this is an experience of Life fraught with hardship and deprivation. Compelled to take stock of our deteriorating environment, as well as to question the values we hold, the message is that we have the collective restorative power of geographical knowledge which can be applied to achieve a better world.
In controlling continental break-up, extensional tectonics is one of the most fundamental processes that shape the face of our planet. Extension and break-up is key to understanding the evolution of continents, and the origin of sedimentary basins and their hydrocarbon potential, as well as the thermo-haline circulation in the oceans and, thus, global climate.
Carney examines one of the most important directors of British independent filmmaking.
You've never used a video guide like this before. You loved Chariots of Fire and you want to see something like it. Where do you start? Look up Chariots of Fire in the index, and find it in Drama. There you'll see it listed under White Flannel Films: Welcome to the glory days of the British empire when the ruling class rode horses on large country estates, servants were in plentiful supply, and only an adulterous lover questioned the status quo. As in other costume dramas, the period details are celebrations of all that was brilliant and luxurious, with the camera sweeping over British, Indian, or African countryscapes and exquisite turn-of-the-century interiors. But all this lush upholstery...