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Black Baseball, 1858-1900
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Hele...
People of Faith
Over the past two decades, a host of critics have accused American journalism and higher education of being indifferent, even openly hostile, to religious concerns. These professions, more than any others, are said to drive a wedge between facts and values, faith and knowledge, the sacred and the secular. However, a growing number of observers are calling attention to a religious resurgence—journalists are covering religion more frequently and religious scholars in academia are increasingly visible.John Schmalzbauer provides a compelling investigation of the role of Catholic and evangelical Protestant beliefs in the newsroom and the classroom. His interviews with forty prominent journalist...
Jess Willard
Jess Willard, the "Pottawatomie Giant," won the heavyweight title in 1915 with his defeat of Jack Johnson, the first black heavyweight champion. At 6 feet, 6 inches and 240 pounds, Willard was considered unbeatable in his day. He nonetheless lost to Jack Dempsey in 1919 in one of the most brutally one-sided contests in fistic history. Willard later made an initially successful comeback but was defeated by Luis Firpo in 1923 and retired from the ring. He died in 1968, largely forgotten by the boxing public. Featuring photographs from the Willard family archives, this first full-length biography provides a detailed portrait of one of America's boxing greats.
New Orleans Dockworkers
This book investigates the conditions which led to a remarkable instance of interracial solidarity known as "half and half," an expression used to identify the cooperation and cohesion among 10,000 Black and white dockworkers during the early twentieth century. Through interracial agreements which divided work and union leadership equally between Blacks and whites, dockworkers reduced the workload and pace imposed by shipping firms, and formed the basis for the general dock strike of 1907, described as "one of the most stirring manifestations of labor solidarity in American history." Rosenberg explores the phenomenon of "half and half" within the context of progressive segregation, as employers encouraged competition between and division of the races. Rosenberg also probes the nature of longshore work, dockworkers' views of Jim Crow, and industrial unionist trends, as well as the conclusions drawn by dockers after the levee race riots of the 1890s--"the working of the white and negro races on terms of equality has been the fruitful source of most of the trouble on the New Orleans levee."
Tremé
Across Rampart Street from the French Quarter, the Faubourg Treme neighborhood is arguably the most important location for African-American culture in New Orleans. Crutcher argues that Treme's story is essentially spatial--a story of how neighborhood boundaries are drawn and take on meaning and of how places within neighborhoods are made and unmade by people and politics.
ABA Journal
The ABA Journal serves the legal profession. Qualified recipients are lawyers and judges, law students, law librarians and associate members of the American Bar Association.
Bounce
Over the course of the twentieth century, African Americans in New Orleans helped define the genres of jazz, rhythm and blues, soul, and funk. In recent decades, younger generations of New Orleanians have created a rich and dynamic local rap scene, which has revolved around a dance-oriented style called "bounce." Hip-hop has been the latest conduit for a "New Orleans sound" that lies at the heart of many of the city's best-known contributions to earlier popular music genres. Bounce, while globally connected and constantly evolving, reflects an enduring cultural continuity that reaches back and builds on the city's rich musical and cultural traditions. In this book, the popular music scholar ...
